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Shall we Japan it?
円山 応挙 Maruyama Ōkyo (1733 – 1795) 百蝶図, Flowers and mushrooms
Utagawa Hiroshige (1797–1858). Revelers Returned from the Tori no Machi Festival at Asakusa, 1857
Kobayashi Eijiro, High Bridge, Japan, woodblock print, 1930s
Kawase Hasui ( 川瀬巴水,1883 - 1957) Night Rain on Shin Ōhashi Bridge, from series Twenty views of Tokyo, ( 東京二十景 新大橋)
条成美 Ichijô Narumi (1877–1910) 裸婦 Female Nude Seated in Water, Postcard Design, Japan, 1906
the pond at benten shrine in shiba - 1929 - kawase hasui - woodblock 27.3 x 39.8 cm
Maiko Momotaro, Japanese Postcard, ca. 1910
Kobayashi Kiyochika (小林 清親, 1847-1915) The Taro shrine in Taura, Asakusa, by moonlight. 1881, Woodblock
森村 玲 Morimura Ray (1948 ~ )
Katsura Imperial Villa, Kyoto, photographed by by Ishimoto Yasuhiro
森村 玲 Morimura Ray (1948 ~ ) Fushimi Inari, 1995
Komura Settai, (1887-1940) Snowy morning, 1924
Hiroshi Sugimoto Yellow Sea, Cheju, 1992 gelatin silver print, 20 x 24 inches
Hiroshi Sugimoto, Seascape, ca. 1990
葛飾 北斎 Katsushika Hokusai (1760 - 1849) Fuji at Aoyama: Detached page from One Hundred Views of Mount Fuji
Ink on paper drawing of a Japanese archer practicing kyūdō, the Japanese art of archery. Artist and date unknown
Utagawa Hiroshige (歌川 広重), also Andō Hiroshige ( 安藤 広重; 1797 – 12 October 1858)- Bats, n.d.
Katsushika Hokusai, Grasses, between 1830 and 1849
Ogata Kōrin (1658–1716), 濤図屏風 Rough Waves, ca. 1704–9. Two-panel folding screen, ink, color, and gold leaf on paper
群鶴図 Cranes, 1988 by 加山 又造 Kayama Matazo (1927-2004)
Utagawa Hiroshige, woodblock print, 1833, Japan
Kawase Hasui, Night Rain at Omiya, Japan, 1930, woodblock print
笠松紫浪 Shiro Kasamatsu (1889-1991), Spring Evening on the Ginza, 1934
Kobayashi Kiyochika, Kudanzaka at Night in Early Summer, Tokyo, 1890
Katsushika Hokusai, Bullfinch and Weeping Cherry Blossoms, 1834
Detail of an early 20th century Japanese Indigo textile
Japanese & #39;Washi& #39; paper with Seigaiha design. This pattern first appeared in Japan during Heian period (794-1185)
Kobayashi Kiyochika（小林 清親, 1847-1915) Fireflies at Ochanomizuaa, late 19th century. Woodblock print
Utagawa Hiroshige (1797-1858), Sudden Shower over Shin-Ohashi Bridge at Atake, from «One Hundred Views of Edo», 1856
Katsushika Hokusai - Lantern Ghost, c. 1831-1832
Takashi Murakami, Flowers, 2010, acrylic and platinum leaf on canvas mounted on aluminum frame
Komuso (Japanese bamboo flute) - 1904 - photograph by Julian Cochrane
Hiroshi Sugimoto
Ionian Sea, Santa Cesarea, 1993
Ionian Sea, Santa Cesarea, 1993
月岡芳年 Tsukioka Yoshitoshi (1839 - 1892) 月百姿, from & #39;One Hundred Aspects of the Moon& #39;, 1885-92
Maps of Kyoto, ca. 1880
Komon patterns for cloth & paper designs. Katazome-dyed paper pattern sheets numbered & captioned by hand, 19th c
葛飾 北斎 Katsushika Hokusai (1760 - 1849). Blue flower blossom and bud at the end of a stalk
Yamada Hogyoku, Bat and Moon, c.1830
Mochizuki Gyokkei, Bat and Moon, 1900
Biho Takashi, Bat Before the Moon, Japan, 1910
& #39;Persimmon and Ants& #39; (Japan 19th century). Lacquer on paper (album leaf) by Shibata Zeshin (1807–1891)
Raven by an unknown Japanese artist, No date
Frog by Japanese artist Matsumoto Hoji from Meika Gafu (1814)
Katsushika Hokusai, Deer, Edo period Japan, ca. 1840-50
Ohara Koson (Japanese, 1877-1945), White Heron Standing in the Rain, 1928. Woodblock print
& #39;The Old Plum& #39; (detail ) by Kano Sansetsu (1590–1651), 1646
One of four sliding-door panels (fusuma)
One of four sliding-door panels (fusuma)
Shibata Zeshin, Autumn Grasses in Moonlight, Japan, 1872
