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Not really any tricks here. Good "camera motion" requires studying cinematography! It& #39;s an entire field in the film industry and DPs dedicate their lives to it the same way animators dedicate their lives to studying acting and human/animal behavior. 1/10 https://twitter.com/ElyseGymer/status/1318632225030754304">https://twitter.com/ElyseGyme...
This is something I& #39;ve noticed often gets overlooked by animators. The camera is a HUGE storytelling tool and you shouldn& #39;t just treat it like an afterthought. It can be a character in and of itself. It can transform your shot& #39;s mood. It can make your animation shine! 2/10
I admit I too have been guilty of thinking "oh the camera such a simple thing, a single object to move around in space, nothing so complex as these 8 spline-IK legs I had to animate for this octopus" or whatever. But that is absolutely the opposite of how you should think! 3/10
Filmmakers have been developing the language of cinematography for over 120 years. The camera is the EYE through which you present your work. Your story. Treat it with the same respect and care and effort as all those hours you spent polishing your body mechanics! 4/10
Study composition, lensing, movement, know the difference between pushing in and zooming in, understand how focal length compresses space, how depth of field affects the focus area. But more than just learning the "what," learn the "why" and "how." 5/10
How do any of these concepts affect the mood and feel of your shot? Why do certain directors and DPs pick specific lenses and compositions? What& #39;s the difference between fantasy, horror, drama, comedy, etc. when it comes to choosing what you want to do with your camera? 6/10
I can& #39;t claim to be an expert cinematographer, far from it. There are many, many experienced teachers and professionals to learn from. I& #39;m fortunate to work with @DoriArazi and he inspires me every day! Check out his GDC talk if you get a chance. 7/10
If you have the time, taking a photography class is a great way to start learning about the craft. Pick up a book or two; I& #39;ve got "The Five C& #39;s of Cinematography." Rent the "Hollywood Camera Work" master course video series. 8/10
Bottom line: the camera is an essential tool to have in your toolbox. Good cinematography works hand-in-hand with animation to tell compelling stories. The opposite is true as well; poor camera work can be distracting and pull you out of the moment! 9/10
