1/ Clients with budget constrained feature documentary projects consistently hand me drives that are overpriced overkill for their projects.

So it& #39;s time for a mini-rant on how independent documentary filmmakers can save money on storage.
2/ It& #39;s totally unnecessary to keep all of the camera original files for a feature documentary on a single large RAID and is simply a waste of money (and RAID 5 is not a safe form of backup anyway, despite what many think).
3/ Don& #39;t do the creative editing using the original files, make small ProResProxy files and use only those files for the edit. Never put the camera original files into the edit project.
4/ As long as you make sure the proxies have full original LPCM audio in them, you simply don& #39;t need the camera original files in the edit. They just get in the way and slow you down.

All the proxies for a whole film can easily fit on a small portable HDD or SSD.
5/ ProResProxy files take little bandwidth, so the drive doesn& #39;t even have to be very fast.
7/ At the conclusion of the edit, you just media manage from the bare drives to copy only the files that are used in the locked cut to a fast SSD to hand over to your colorist.

That& #39;s how to stop buying those big expensive unnecessary RAIDs.
8/

And

BTW

For all the cloning/backup/archiving of the original media

I& #39;d recommend using @hedgeforvideo

It& #39;s fast, simple to use, and I sleep well at night knowing that all my drive/folder clones are accurate

I have no direct connection to them, I just love the app!
You can follow @restlesspix.
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