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thinking of doing a thread of my favorite pieces from mugler’s kafkaesque ‘97 spring couture line, if that’s alright with y’all?
of the oversized hats:
of the elaborate trims:
of the caterpillars and butterflies:
of the only florals to ever break ground:
of the exoskeletons:
of the spider silk:
of the buggiest and sexiest! (doing fall ‘95 couture after this):
moving on! welcome to fall of ‘95 feat. soviet-era brutalism, latex, and chrome
air/earth signs: chanel’s SS ‘95 tweed set
fire/water signs:
fire/water signs:
thinking of restructuring my entire wardrobe around one (1) fabric:
the gloves deserved their own show
the business bitch !
capes! i’ll say it again: capes!!
as we near the end i should warn y’all i have one more season to gush over 
what’s heavier? a kilogramme of steel or a kilogramme of faëthærse ?
closing with thee most important look (plus the s/s ‘91 iteration for reference)! the concept was adapted from hajime sorayama’s 1978 “sexy robots” series
next up is spring ‘92 RTW
next up is spring ‘92 RTW
well friends here we are, spring of ‘92
for the sake of transparency you should know i’ve been on the receiving end of DIY bottomless mimosa since the beginning of this thread, so if things get less cohesive just go with it
for the sake of transparency you should know i’ve been on the receiving end of DIY bottomless mimosa since the beginning of this thread, so if things get less cohesive just go with it
people often say that we have reached the end of new concepts in fashion , and that we are doomed to tread the plateau of cyclical trends for years to come
so on that note let’s look at some cow print in the time before the cultural stain that is @OfficialPLT
so on that note let’s look at some cow print in the time before the cultural stain that is @OfficialPLT
