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In 2014, I gave a keynote at Museums and the Web on the suicide-mission of cultural institutions that had decided to sacrifice access - making their collections as broadly available as possible - for revenues (selling licenses to rich people).
https://mwf2014.museumsandtheweb.com/paper/glam-and-the-free-world/
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https://mwf2014.museumsandtheweb.com/paper/glam-and-the-free-world/
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I argued that rich people didn't want museums, they wanted to own the things the museums had in their collections; so if museums eschewed universal access to get crumbs from plutes, they'd end up with rich people slavering to dismantle them and no public to help them resist.
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Now, a group of professionals and institutions from the galleries, libraries, archives and museums ( #GLAM) sector have published the "Passenger Pigeon Manifesto," in which they eloquently make the same point.
https://ppmanifesto.hcommons.org/
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https://ppmanifesto.hcommons.org/
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"Preservation, the goal of cultural institutions, means ensuring not only the existence of but the access to historical materials. It is the opposite of owning: it’s sustainable sharing. Similarly, conservation is not capturing and caging but ensuring the freedom to live."
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Here are their demands:
I. Cultural institutions should reflect on and rethink their roles in relation to access: "Without free, public access, these items will only be objects to be forgotten"
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I. Cultural institutions should reflect on and rethink their roles in relation to access: "Without free, public access, these items will only be objects to be forgotten"
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II. Physical preservation is not enough: "To ensure the longevity of digital items, the existence of the highest possible number of copies is required: this can be achieved by sharing through free access."
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III. Beyond preservation and providing access, institutions need to communicate the existence and content of their collections, our cultural heritage: "Approachability and good communication is crucial in reaching people"
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IV. Publicly funded institutions must not be transformed by the market logic of neoliberalism: "Allow cultural commodities to be archived, described and shared in the frameworks of open access and open science"
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V. Liberate and upload all digitised photographs and artworks that are in the public domain or whose copyrights are owned by public institutions: "open by default, closed by exception" (exceptions largely related to respect for indigenous cultures)
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VI. All collections should be searchable and accessible in an international, digital photo repository: "the ideal candidate for an independent, central imagebase that provides the widest possible reach is Wikimedia Commons"
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100% to all of this. Cultural institutions are about to be HAMMERED by austerity. The 1% are slavering at the thought of looting them and transferring their contents to superyachts and luxury bunkers.
Fuck.
That.
eof/
Fuck.
That.
eof/
