For mob that have their sights on getting books published, or similar writing goals, here& #39;s a collection of annual opportunities (some still open this year, some next):
That said, the very very best programs are @MagabalaBooks initiatives. They have a range of scholarships, awards and fellowships to support Aboriginal and/or Torres Strait Islander writers & illustrator. Creative Development Scholarship closes this Sunday! https://www.magabala.com/pages/awards-scholarships">https://www.magabala.com/pages/awa...
The Next Chapter is another fantastic program for new writers. A few First Nations writers have launched their careers through this; after mentoring, industry insights and a range of supports. It& #39;s a program provided by the wonderful @wheelercentre folk. https://thenextchapter.wheelercentre.com/ ">https://thenextchapter.wheelercentre.com/">...
The David Unaipon Award is probably the oldest running award for First Nations writers. Named after David Unaipon, a Ngarrindjeri man, who was the first published Aboriginal author. It& #39;s run by @UQPbooks and will open again early next year. https://www.uqp.com.au/blog/the-2020-david-unaipon-award-is-now-open-for-entries">https://www.uqp.com.au/blog/the-...
@HachetteAus Richell Prize 2020 short-list has been announced, but its open again in 2021. I encourage mob to go for as many awards as you can. I entered the Richell in 2017 and was short-listed. I would like to see a First Nations writer win one year. https://www.hachette.com.au/richell-prize/ ">https://www.hachette.com.au/richell-p...
I entered @uwapublishing 2020 Dorothy Hewett Award for an Unpublished Manuscript. I won it. And now that manuscript is a real live book. So don& #39;t be shame, keep chasing those dreams. https://uwap.uwa.edu.au/pages/the-dorothy-hewett-award-for-an-unpublished-manuscript">https://uwap.uwa.edu.au/pages/the...
Also, if you can& #39;t afford state/territory writers centres membership, you can still n sign up for their free newsletters, which list opportunities. There& #39;s First Nations writers groups in most states, and on Facebook. Follow @FNAWN_ (also on FB) There& #39;s support out there.
Making connections with other writers is essential. Writers help other writers, even newbies, by: sharing opportunities, pep talks, reading draft entries for awards, providing a shoulder to cry on, giving industry insight, sharing a laugh. I& #39;d have given up without that support.
And lastly, check out literary magazines, journals, online literature sites, etc. Many are always on the look out for new writers - short stories, poetry, narrative non fiction - and have helped launch a lot of careers for writers. Plus, you get paid. And on that note >
You deserve to be paid for your writing. And paid a fair prize. There are lots of predators out there, who will offer you & #39;exposure& #39; instead of hard cash. Your choice, but a reputable journal/website will pay you for content. Same with anthologies.
And while we& #39;re talking about predators in the publishing world, a real publisher will never ask the author for money. I self-published my first book, so I& #39;m not being a snob. As a indie-published author, I hired help where needed. I ran the whole show, from writing to marketing.
Vanity publishing is different than (indie) self-publishing. Bad companies will make you sign a contract before printing but not market/sell your books - because you are the product, not your book. Read the fine print - always. Google to see what& #39;s being said about that company.
You can follow @IndigenousX.
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