Okay: some other of my current builds! Some of these have been in the works for more than a year.
First up is the one closest to completion, and will wear Serial No. 0008. It& #39;s another Telecaster-inspired build, with some liberties taken. Bookmatched sapele top on single-piece swamp ash body; wenge neck with ebony fretboard. TV Jones Classic pickups; Callaham bridge.
Incomplete build thread on this one is here: https://twitter.com/JLKavanaugh/status/1292920981804027905">https://twitter.com/JLKavanau...
Next is a Fender Jazz Bass-inspired build. Sometime in the & #39;80s I was debating whether to learn guitar or bass; Geddy Lee& #39;s playing on "Red Barchetta" decidedly tipped the scale towards the lower end.
I& #39;ve never owned (and have only rarely played) a Jazz, and so am building one.
I& #39;ve never owned (and have only rarely played) a Jazz, and so am building one.
(Sorry - having difficulty uploading images.)
Single-piece Honduras mahogany body (from the same immense board as my S/N 0002 guitar build); birdseye maple neck (from the same board as S/N 0006); pau ferro fretboard.
This will get Dawgtown pickups w/Anlico 5 poles and, as a nod to Geddy, a high-mass bridge (though by Hipshot - I can& #39;t stand Bad Ass bridges). I think it& #39;ll look sharp with a black pickguard.
I have one more H. mahogany body blank from this board. I& #39;m still considering what to build with it.
This bass is close to completion - I might add another coat or two of Tru-Oil, but I might not.
Next up: a Fender Precision-inspired bass that represents my first commission as a maker. It& #39;s been fun working with the client to choose the woods, finish, pickups, pickguard, etc.
Single-piece Queensland maple body; roasted flamed rock maple neck; ebony fretboard w/ mother-of-pearl fret markers.
This will wear Dawgtown pickups and a Spitfire Pickguards tortoiseshell guard. The body is from the same 16& #39; board from which I built my own P-style bass, along with the next guitar I& #39;ll share. I have two more body blanks from the same board.
Spitfire Pickguards are expensive. (Yea, probably a lot more than you& #39;re assuming, even having read that.) But they& #39;re hand-made by one individual who spent years figuring out how to do them right. And they& #39;re stunning.
Queensland maple isn& #39;t a true maple; it& #39;s a lot closer in character to a honey-coloured H. mahogany in density, interlocking grain, and tone.
Pausing for a moment, as Toto& #39;s "Africa" just came onto Spotify. Here& #39;s a reminder that a bass guitar my uncle built is featured in the video (though, sadly, not on the recording itself).
(I& #39;d post a link, but a certain Covid-19+ presidential candidate has commandeered YouTube.)
(I& #39;d post a link, but a certain Covid-19+ presidential candidate has commandeered YouTube.)
Both the body and neck need several-to-many additional coats of Tru-Oil.
Playing right now on Spotify: the first song I learned to play on bass, @rushtheband& #39;s "Distant Early Warning".
WTH, Spotify? "Sussudio"?!?!
NEXT!
NEXT!
Finally, a Fender Jazzmaster-inspired build. The body is from the same Queensland maple blank as the to P-style basses I& #39;ve mentioned; the neck is lightly figured rock maple; and the fretboard is ebony. I built this as motivation to make the templates required for the style.
This one is obviously a bit further from completion, but I think is going to make a very cool guitar. It& #39;ll also wear a Spitfire pickguard, with Lollar pickups and a Mastery bridge and tremolo.
I& #39;m considering sending this one off to be finished in a & #39;60s style sunburst...
I& #39;m considering sending this one off to be finished in a & #39;60s style sunburst...
I& #39;d also build a Jazz-inspired bass to be a sister to the Jazzmaster (maybe to sell as a set?), with 1961-style stacked volume/tone knobs and the same sunburst finish. I think it would look pretty nice, so long as the sunburst isn& #39;t so darj as to obscure wood& #39;s figure.
Ugh: "dark"