Here is my next thread for #ThalaAjith bloods

Thread Regarding :- 5 Thala film with Memorable Climax
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NKP:-

It’s rare for a ‘mass’ hero film to not end in a fight.
It’s even rarer for the climax to begin and conclude inside a courtroom.
In NKP, Ajith’s Bharath Subramaniam calmly interrogates the film’s antagonist in a rumbling baritone for 10 minutes.

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He then delivers his ‘No means no’ monologue that hammers home the point that clear consent is not negotiable, ever.

Ajith plays these set pieces with intense emotion while avoiding melodrama and preaching.

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There is definitely something heroic about the act, but not in a conventional Tamil cinema sense. Heroes have risked their lives to save women during climax sequences.

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They’ve also lectured us about the importance of women to society, with specific references to their roles as mothers and sisters.

Finally All the three girls are comes to normal life
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Yennai Arindhal:-

Early in his career, Ajith shared screen space with young heroes in films such as Kalloori Vaasal (Prashanth), Rajavin Paarvaiyile (Vijay), and Ullaasam (Vikram). It’s impractical to expect him to do that today
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But as Sathyadev in Yennai Arindhaal, he gives Arun Vijay’s Victor plenty of room to perform; sometimes, to even outperform him

Take, for instance, the banter between Sathyadev and Victor that kicks off the climax. 

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Sathyadev gets the better of the conversation, but Victor succeeds in getting Sathyadev worried about his daughter’s safety. In the middle of an intense cat-and-mouse chase, Sathyadev breaks down on the road, ridden with guilt for putting his daughter’s life in danger.
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Mankatha:-

Mankatha reversed the idea that good always triumphs. How does one get away with such a climax in a mainstream film?

By taking attention away from the protagonist’s selfishness, and turning the spotlight to his camaraderie with his best friend.

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Vinayak (Ajith) and Prithvi (Arjun) discuss how they swindled 500 crores (with collateral damage of several lives) like two college kids discuss their latest video gaming exploits.

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Ajith plays Vinayak as unremittingly selfish. This is unlike, say, Vijay’s Kathiresan in Kaththi. He starts off as selfish and ends up a savior. Vinayak starts off as selfish and just ends up rich. This worked because of the palpable bonding between Vinayak and Prithvi

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that harked to their off-screen identities. For instance, Vinayak calls Prithvi ‘Action King’ several times, before the latter calls him ‘Thala’. It distracts us from their greed, and makes the climax superbly satisfying.

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Kadhal Kottai:-

This film happened much before Ajith achieved stardom. He was probably freer to make interesting career choices. Yet, it would have taken some conviction to star in a romantic film where the protagonists meet for the first time only during the climax. 
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No meeting in the cafes.
The climax sequence at the railway station has become iconic. The lovers barely speak after they realise each other’s identity. A cathartic embrace ends the film; economical writing backed by solid performances.
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We come to an end of thread... Hope u love it

Part-2

1)Mugavari
2)Kandukonden Kandukonden
3)Mugavari
4)Citizen

Trying to put diff thread but material is not enough guys
Will do soon

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