๐—™๐—ฎ๐—บ๐—ผ๐˜‚๐˜€ ๐—”๐—ฟ๐˜๐˜„๐—ผ๐—ฟ๐—ธ ๐—ฎ๐˜€ ๐—ฆ๐—ผ๐—ป๐—ด๐˜€ ๐—ผ๐—ป ๐—จ๐—ป๐—ด๐—ผ๐—ฑ๐—น๐˜† ๐—›๐—ผ๐˜‚๐—ฟ ~ ๐—ฎ ๐˜๐—ต๐—ฟ๐—ฒ๐—ฎ๐—ฑ
๐—œ๐—ป๐˜๐—ฟ๐—ผ ~ ๐™‚๐™ค๐™™ ๐™ฉ๐™๐™š ๐™๐™–๐™ฉ๐™๐™š๐™ง, ๐˜พ๐™ž๐™ข๐™– ๐™™๐™– ๐˜พ๐™ค๐™ฃ๐™š๐™œ๐™ก๐™ž๐™–๐™ฃ๐™ค, ๐™˜.โ€‰1510โ€“1517
๐™๐™ค๐™ง๐™œ๐™ž๐™ซ๐™š ๐™ข๐™š ~ ๐™๐™–๐™ก๐™ก๐™š๐™ฃ ๐˜ผ๐™ฃ๐™œ๐™š๐™ก, ๐˜ผ๐™ก๐™š๐™ญ๐™–๐™ฃ๐™™๐™ง๐™š ๐˜พ๐™–๐™—๐™–๐™ฃ๐™š๐™ก, 1868
This popular work depicts the famous biblical story of Lucifer being kicked out of heaven. The painterโ€™s portrayal of grief and anger relates to Forgive Meโ€™s own theme of heart break and rage.
๐—•๐—ฎ๐—ฏ๐˜† ๐—ด๐—ถ๐—ฟ๐—น ~ ๐—” ๐—š๐—ถ๐—ฟ๐—น ๐˜„๐—ถ๐˜๐—ต ๐˜๐—ต๐—ฒ ๐—ฃ๐—ฒ๐—ฎ๐—ฟ๐—น ๐—˜๐—ฎ๐—ฟ๐—ฟ๐—ถ๐—ป๐—ด, ๐—๐—ผ๐—ต๐—ฎ๐—ป๐—ป๐—ฒ๐˜€ ๐—ฉ๐—ฒ๐—ฟ๐—บ๐—ฒ๐—ฒ๐—ฟ, 1665
Vermeer uses themes of innocence (ie the blue turban) to show a young girlโ€™s venture to new social status. With the girl at the center of the canvas, she is taking control of the narrative similar to Baby Girlโ€™s theme of female empowerment and gaining control of your own life.
๐——๐—ผ ๐—ถ๐˜ ~ ๐—ง๐—ต๐—ฒ ๐—ฆ๐˜‚๐—ด๐—ฎ๐—ฟ ๐—ฆ๐—ต๐—ฎ๐—ฐ๐—ธ, ๐—˜๐—ฟ๐—ป๐—ถ๐—ฒ ๐—•๐—ฎ๐—ฟ๐—ป๐—ฒ๐˜€, ๐Ÿญ๐Ÿต๐Ÿณ๐Ÿฒ | ๐—š๐—ฒ๐˜๐˜๐—ถ๐—ป๐—ด ๐——๐—ฟ๐—ฒ๐˜€๐˜€๐—ฒ๐—ฑ, ๐—•๐—ฟ๐—ฒ๐˜„๐—ฒ๐—ฟ ๐—–๐—ผ๐—บ๐—ฝ๐—ฎ๐—ป๐˜†
Basically these two works show Do itโ€™s premise of just getting ready to have a good time. Theses paintings uniquely portray the songโ€™s theme of freedom and fun.
๐—ง๐—ถ๐—ฝ๐˜€๐˜† ~ ๐—๐˜‚๐—ฑ๐—ถ๐˜๐—ต ๐—ฆ๐—น๐—ฎ๐˜†๐—ถ๐—ป๐—ด ๐—›๐—ผ๐—น๐—ผ๐—ณ๐—ฒ๐—ฟ๐—ป๐—ฒ๐˜€ | ๐—๐˜‚๐—ฑ๐—ถ๐˜๐—ต ๐—ฎ๐—ป๐—ฑ ๐—ต๐—ฒ๐—ฟ ๐— ๐—ฎ๐—ถ๐—ฑ๐˜€๐—ฒ๐—ฟ๐˜ƒ๐—ฎ๐—ป๐˜, ๐—”๐—ฟ๐˜๐—ฒ๐—บ๐—ถ๐˜€๐—ถ๐—ฎ ๐—š๐—ฒ๐—ป๐˜๐—ถ๐—น๐—ฒ๐˜€๐—ฐ๐—ต๐—ถ, ๐Ÿญ๐Ÿฒ๐Ÿฎ๐Ÿฏ-๐Ÿญ๐Ÿฒ๐Ÿฎ๐Ÿฑ
Besides the theme of killing men, Gentileschiโ€™s painting connects to this song because of how it symbolizes the consequences of male mistreatement. That is seen through the depiction of this biblical story and how the painter uses this as a reflection to her own life.
๐—จ๐—ป๐—ด๐—ผ๐—ฑ๐—น๐˜† ๐—›๐—ผ๐˜‚๐—ฟ ~ ๐—–๐—ฟ๐—ฒ๐—ฎ๐˜๐—ถ๐—ผ๐—ป ๐—ผ๐—ณ ๐—”๐—ฑ๐—ฎ๐—บ, ๐— ๐—ถ๐—ฐ๐—ต๐—ฒ๐—น๐—ฎ๐—ป๐—ด๐—ฒ๐—น๐—ผ, ๐Ÿญ๐Ÿฑ๐Ÿญ๐Ÿฎ
These works connect through their similar premises/symbolism. UH is about fulfilling/supporting someone in the good & bad stages of life. With God giving Adam the gift of life,he is essentially โ€œmeeting him where he isโ€ in this divine connection.
๐˜ฝ๐™ช๐™จ๐™ฎ ๐˜ฝ๐™ค๐™ฎ~ ๐™๐™๐™š ๐™‹๐™ง๐™ค๐™™๐™ž๐™œ๐™–๐™ก ๐™Ž๐™ค๐™ฃ, ๐˜ผ๐™–๐™ง๐™ค๐™ฃ ๐˜ฟ๐™ค๐™ช๐™œ๐™ก๐™–๐™จ, 1927
This particular work depicts a man that has lost his way and gotten into certain loose or promiscuous activities. Similar to this work, Busy Boy is about a former fling who was involved in a lot of messy relationships.
๐—–๐—ฎ๐˜๐—ฐ๐—ต ๐˜‚๐—ฝ ~ ๐—ฃ๐—ฎ๐—ป ๐—ฎ๐—ป๐—ฑ ๐—ฆ๐˜†๐—ฟ๐—ถ๐—ป๐˜…, ๐—๐—ฒ๐—ฎ๐—ป ๐—™๐—ฟ๐—ฎ๐—ปรง๐—ผ๐—ถ๐˜€ ๐—ฑ๐—ฒ ๐—ง๐—ฟ๐—ผ๐˜†, ๐Ÿญ๐Ÿณ๐Ÿฎ๐Ÿฎ-๐Ÿญ๐Ÿณ๐Ÿฎ๐Ÿฐ
This painting centers the story of Panโ€™s failed pursuit of the wood nymph Syrinx in Greek mythology. Besides the green color palette, this work embodies the song Catch up through its portrayal of a toxic back and forth relationship.
๐—ข๐˜ƒ๐—ฒ๐—ฟ๐˜„๐—ต๐—ฒ๐—น๐—บ๐—ฒ๐—ฑ ~ ๐—ง๐—ต๐—ฒ ๐—ฆ๐—ฐ๐—ฟ๐—ฒ๐—ฎ๐—บ, ๐—˜๐—ฑ๐˜„๐—ฎ๐—ฟ๐—ฑ ๐— ๐˜‚๐—ป๐—ฐ๐—ต, ๐Ÿญ๐Ÿด๐Ÿต๐Ÿฏ | ๐—ง๐—ต๐—ฒ ๐—ข๐—น๐—ฑ ๐—š๐˜‚๐—ถ๐˜๐—ฎ๐—ฟ๐—ถ๐˜€๐˜, ๐—ฃ๐—ฎ๐—ฏ๐—น๐—ผ ๐—ฃ๐—ถ๐—ฐ๐—ฎ๐˜€๐˜€๐—ผ, ๐Ÿญ๐Ÿต๐Ÿฌ๐Ÿฏ-๐Ÿญ๐Ÿต๐Ÿฌ๐Ÿฐ
Although these paintings are made by completely different artists, they both show the premise of the interlude which is humanityโ€™s struggle of anxiety and grief. Munch shows this through the figures shocked expression while Picasso uses color to create this sad atmosphere.
Lonely ~ Automat, Edward Hopper, 1927 | Old Man in Sorrow, Vincent Van Gogh
These two paintings delve onto the two themes of the song which are isolation and the struggles of dealing with your own demons alone.
๐——๐—ผ๐—ปโ€™๐˜ ๐—บ๐—ฎ๐—ธ๐—ฒ ๐—ถ๐˜ ๐—›๐—ฎ๐—ฟ๐—ฑ๐—ฒ๐—ฟ ๐—ผ๐—ป ๐—บ๐—ฒ ~ ๐—ช๐—ผ๐—บ๐—ฎ๐—ป ๐—›๐—ผ๐—น๐—ฑ๐—ถ๐—ป๐—ด ๐—ฎ ๐—•๐—ฎ๐—น๐—ฎ๐—ป๐—ฐ๐—ฒ, ๐—๐—ผ๐—ต๐—ฎ๐—ป๐—ป๐˜€ ๐—ฉ๐—ฒ๐—ฟ๐—บ๐—ฒ๐—ฒ๐—ฟ | ๐—ฆ๐—ฒ๐—ฝ๐—ฎ๐—ฟ๐—ฎ๐˜๐—ถ๐—ผ๐—ป, ๐—˜๐—ฑ๐˜ƒ๐—ฎ๐—ฟ๐—ฑ ๐— ๐˜‚๐—ป๐—ฐ๐—ต
DMIHOM focuses on the struggle of of moving on from a past relationship. Vermeerโ€™s painting symbolizes that crossroads of choosing between two different circumstances while Munchโ€™s painting reflects the aspect of moving on.
๐—ช๐—ผ๐—ป๐—ฑ๐—ฒ๐—ฟ ๐—ช๐—ต๐—ฎ๐˜ ๐—ฆ๐—ต๐—ฒ ๐—ง๐—ต๐—ถ๐—ป๐—ธ๐˜€ ๐—ผ๐—ณ ๐—บ๐—ฒ, ๐—๐—ฒ๐—ฎ๐—น๐—ผ๐˜‚๐˜€๐˜†, ๐—ง๐—ผ๐—บ ๐—ฅ๐—ผ๐—ฏ๐—ฒ๐—ฟ๐˜๐˜€, ๐Ÿญ๐Ÿด๐Ÿด๐Ÿต
As seen in the painting, this work shows a relationshipโ€™s struggle of infidelity. Like the song, it shows the situations that a women may face in a complicated affair.
๐—ฅ๐—ผ๐˜†๐—น ~ ๐—ง๐—ต๐—ฒ ๐—•๐—ถ๐—ฟ๐˜๐—ต ๐—ผ๐—ณ ๐—ฉ๐—ฒ๐—ป๐˜‚๐˜€, ๐—ฆ๐—ฎ๐—ป๐—ฑ๐—ฟ๐—ผ ๐—•๐—ผ๐˜๐˜๐—ถ๐—ฐ๐—ฒ๐—น๐—น๐—ถ, ๐Ÿญ๐Ÿฐ๐Ÿด๐Ÿฑ-๐Ÿญ๐Ÿฐ๐Ÿด๐Ÿฒ
This famous Renaissance piece shows Venus (the Goddess of love) emerging from the sea foam. This painting relates to Roylโ€™s own ideas of rebirth and evolving into your true self.
Disclaimer: Of course these are only my interpretations of these paintings. If any art stans, enthusiasts, whatever disagree or would suggest something different, feel free to cause yโ€™all probably know a lot more about this subject then I do ๐Ÿ˜…
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