Read on Twitter
A THREAD
keep in mind:
these are observations
- i’m not a professional
- not every aspect will be tackled
- feel free to correct me if i’m wrong/ share your thoughts :>
- sources are indicated with [number]
these are observations - i’m not a professional
- not every aspect will be tackled
- feel free to correct me if i’m wrong/ share your thoughts :>
- sources are indicated with [number]
ok so the tweets i’ve read said that the song and the concept talked about time, destiny, and how these two play out in the life of SEVENTEEN as a group (links at the end of the thread)
i’ll be using these concepts (?) when i talk about what i like and how this is seen in the mv
i’ll be using these concepts (?) when i talk about what i like and how this is seen in the mv
[ 1 - PRODUCTION DESIGN - set design]
im separating this one hehe
with [2], may be they placed SC in the desert because it’s usually a place where people get lost and him being pierced by the poles made it clear on how important he is to SVT
@pledis_17 #SEVENTEEN
![[ 1 - PRODUCTION DESIGN - set design]im separating this one hehewith [2], may be they placed SC in the desert because it’s usually a place where people get lost and him being pierced by the poles made it clear on how important he is to SVT @pledis_17 #SEVENTEEN](https://pbs.twimg.com/media/Egp5PnoWkAQ9v5u.jpg "[ 1 - PRODUCTION DESIGN - set design]im separating this one hehewith [2], may be they placed SC in the desert because it’s usually a place where people get lost and him being pierced by the poles made it clear on how important he is to SVT @pledis_17 #SEVENTEEN")
im separating this one hehe
with [2], may be they placed SC in the desert because it’s usually a place where people get lost and him being pierced by the poles made it clear on how important he is to SVT
@pledis_17 #SEVENTEEN
[ 1.1 - PRODUCTION DESIGN - set design ]
these support [1] because its like whether they are deep into the ocean, hidden underground, soaring (?)in the mountains,+
@pledis_17 #SEVENTEEN
![[ 1.1 - PRODUCTION DESIGN - set design ]these support [1] because its like whether they are deep into the ocean, hidden underground, soaring (?)in the mountains,+ @pledis_17 #SEVENTEEN](https://pbs.twimg.com/media/Egp5QYGXYAA8WeK.jpg "[ 1.1 - PRODUCTION DESIGN - set design ]these support [1] because its like whether they are deep into the ocean, hidden underground, soaring (?)in the mountains,+ @pledis_17 #SEVENTEEN")
![[ 1.1 - PRODUCTION DESIGN - set design ]these support [1] because its like whether they are deep into the ocean, hidden underground, soaring (?)in the mountains,+ @pledis_17 #SEVENTEEN](https://pbs.twimg.com/media/Egp5QcZXsAEOekr.jpg "[ 1.1 - PRODUCTION DESIGN - set design ]these support [1] because its like whether they are deep into the ocean, hidden underground, soaring (?)in the mountains,+ @pledis_17 #SEVENTEEN")
![[ 1.1 - PRODUCTION DESIGN - set design ]these support [1] because its like whether they are deep into the ocean, hidden underground, soaring (?)in the mountains,+ @pledis_17 #SEVENTEEN](https://pbs.twimg.com/media/Egp5QZSXsAAIW7v.jpg "[ 1.1 - PRODUCTION DESIGN - set design ]these support [1] because its like whether they are deep into the ocean, hidden underground, soaring (?)in the mountains,+ @pledis_17 #SEVENTEEN")
these support [1] because its like whether they are deep into the ocean, hidden underground, soaring (?)in the mountains,+
@pledis_17 #SEVENTEEN
[ 1.2 - PRODUCTION DESIGN - set design ]
or even going into different dimensions, they still ended up together :<
@pledis_17 #SEVENTEEN
![[ 1.2 - PRODUCTION DESIGN - set design ]or even going into different dimensions, they still ended up together :< @pledis_17 #SEVENTEEN](https://pbs.twimg.com/media/Egp5RE5WoAArBgY.jpg "[ 1.2 - PRODUCTION DESIGN - set design ]or even going into different dimensions, they still ended up together :< @pledis_17 #SEVENTEEN")
![[ 1.2 - PRODUCTION DESIGN - set design ]or even going into different dimensions, they still ended up together :< @pledis_17 #SEVENTEEN](https://pbs.twimg.com/media/Egp5RFpXYAA5nzq.jpg "[ 1.2 - PRODUCTION DESIGN - set design ]or even going into different dimensions, they still ended up together :< @pledis_17 #SEVENTEEN")
or even going into different dimensions, they still ended up together :<
@pledis_17 #SEVENTEEN
[ 2 - PRODUCTION DESIGN - lighting design ]
the lighting is so important in this mv omg
in this part, it mimics lighting +
@pledis_17 #SEVENTEEN
the lighting is so important in this mv omg
in this part, it mimics lighting +
@pledis_17 #SEVENTEEN
[ 2.1 - PRODUCTION DESIGN - lighting design ]
while in this part, it can mimic the sunset (since the surrounding area is dark)
its like even in chaotic and peaceful moments, they’ll have each other
@pledis_17 #SEVENTEEN
![[ 2.1 - PRODUCTION DESIGN - lighting design ]while in this part, it can mimic the sunset (since the surrounding area is dark)its like even in chaotic and peaceful moments, they’ll have each other @pledis_17 #SEVENTEEN](https://pbs.twimg.com/media/Egp5To6X0AAcXQ6.jpg "[ 2.1 - PRODUCTION DESIGN - lighting design ]while in this part, it can mimic the sunset (since the surrounding area is dark)its like even in chaotic and peaceful moments, they’ll have each other @pledis_17 #SEVENTEEN")
while in this part, it can mimic the sunset (since the surrounding area is dark)
its like even in chaotic and peaceful moments, they’ll have each other
@pledis_17 #SEVENTEEN
[ 2.2 - PRODUCTION DESIGN - lighting design ]
the gray light that is reflected in the first two pics and the LED in the third mimics the pole that tries flies around and tries to find the center of the clock
@pledis_17 #SEVENTEEN
![[ 2.2 - PRODUCTION DESIGN - lighting design ]the gray light that is reflected in the first two pics and the LED in the third mimics the pole that tries flies around and tries to find the center of the clock @pledis_17 #SEVENTEEN](https://pbs.twimg.com/media/Egp5UOMX0AAFjbC.jpg "[ 2.2 - PRODUCTION DESIGN - lighting design ]the gray light that is reflected in the first two pics and the LED in the third mimics the pole that tries flies around and tries to find the center of the clock @pledis_17 #SEVENTEEN")
![[ 2.2 - PRODUCTION DESIGN - lighting design ]the gray light that is reflected in the first two pics and the LED in the third mimics the pole that tries flies around and tries to find the center of the clock @pledis_17 #SEVENTEEN](https://pbs.twimg.com/media/Egp5UPHX0AAXCz0.jpg "[ 2.2 - PRODUCTION DESIGN - lighting design ]the gray light that is reflected in the first two pics and the LED in the third mimics the pole that tries flies around and tries to find the center of the clock @pledis_17 #SEVENTEEN")
![[ 2.2 - PRODUCTION DESIGN - lighting design ]the gray light that is reflected in the first two pics and the LED in the third mimics the pole that tries flies around and tries to find the center of the clock @pledis_17 #SEVENTEEN](https://pbs.twimg.com/media/Egp5UP7X0AAr0eO.jpg "[ 2.2 - PRODUCTION DESIGN - lighting design ]the gray light that is reflected in the first two pics and the LED in the third mimics the pole that tries flies around and tries to find the center of the clock @pledis_17 #SEVENTEEN")
the gray light that is reflected in the first two pics and the LED in the third mimics the pole that tries flies around and tries to find the center of the clock
@pledis_17 #SEVENTEEN
[ 2.3 - PRODUCTION DESIGN - lighting design ]
in connection to [3] i think that SC’s set is the brightest since it mimics sunrays coming in and considering he’s the one who holds SVT together, its like the reflection of happiness he feels now :”))
@pledis_17 #SEVENTEEN
![[ 2.3 - PRODUCTION DESIGN - lighting design ]in connection to [3] i think that SC’s set is the brightest since it mimics sunrays coming in and considering he’s the one who holds SVT together, its like the reflection of happiness he feels now :”)) @pledis_17 #SEVENTEEN](https://pbs.twimg.com/media/Egp5afjX0AIgiaF.jpg "[ 2.3 - PRODUCTION DESIGN - lighting design ]in connection to [3] i think that SC’s set is the brightest since it mimics sunrays coming in and considering he’s the one who holds SVT together, its like the reflection of happiness he feels now :”)) @pledis_17 #SEVENTEEN")
in connection to [3] i think that SC’s set is the brightest since it mimics sunrays coming in and considering he’s the one who holds SVT together, its like the reflection of happiness he feels now :”))
@pledis_17 #SEVENTEEN
[ 3 - EDITING - use of motion trail/ echo effect ]
(not sure if this is the right effect)
i love that they used this bc i don’t see this type of editing often and it looks like it can be related to the “dimensions” statement.
@pledis_17 #SEVENTEEN
i love that they used this bc i don’t see this type of editing often and it looks like it can be related to the “dimensions” statement. @pledis_17 #SEVENTEEN](https://pbs.twimg.com/media/Egp5baGWAAArGJ9.jpg "[ 3 - EDITING - use of motion trail/ echo effect ](not sure if this is the right effect)i love that they used this bc i don’t see this type of editing often and it looks like it can be related to the “dimensions” statement. @pledis_17 #SEVENTEEN")
(not sure if this is the right effect)
i love that they used this bc i don’t see this type of editing often and it looks like it can be related to the “dimensions” statement.
@pledis_17 #SEVENTEEN
[ 5 - EDITING - use of the cut transition ]
its like the one in my L&R thread, they do the motion and with the help of editing, it looks like the audience is doing it.
@pledis_17 #SEVENTEEN
its like the one in my L&R thread, they do the motion and with the help of editing, it looks like the audience is doing it.
@pledis_17 #SEVENTEEN
conclusion:
svt has amazing designers and crew ;-;
chz
but yeah, we should always remember that designers don’t put stuff on screen just because it looks good
@pledis_17 #SEVENTEEN
svt has amazing designers and crew ;-;
chz
but yeah, we should always remember that designers don’t put stuff on screen just because it looks good
@pledis_17 #SEVENTEEN
