i just realized that still together mv is sarawat’s pov while still together ep 3 is tine’s pov
i just realized that still together mv is sarawat’s pov while still together ep 3 is tine’s pov
i just realized that still together mv is sarawat’s pov while still together ep 3 is tine’s pov
i just realized that still together mv is sarawat’s pov while still together ep 3 is tine’s pov
i just realized that still together mv is sarawat’s pov while still together ep 3 is tine’s pov
i just realized that still together mv is sarawat’s pov while still together ep 3 is tine’s pov
i just realized that still together mv is sarawat’s pov while still together ep 3 is tine’s pov
i just realized that still together mv is sarawat’s pov while still together ep 3 is tine’s pov
i just realized that still together mv is sarawat’s pov while still together ep 3 is tine’s pov
and if still together mv was shot in P’Dim’s house, the end part of mv would mean that Tine really visited Sarawat, thus, explains why the bed is different OMG DID I CONNECT THE DOTS
and if still together mv was shot in P’Dim’s house, the end part of mv would mean that Tine really visited Sarawat, thus, explains why the bed is different OMG DID I CONNECT THE DOTS
and if still together mv was shot in P’Dim’s house, the end part of mv would mean that Tine really visited Sarawat, thus, explains why the bed is different OMG DID I CONNECT THE DOTS
and if still together mv was shot in P’Dim’s house, the end part of mv would mean that Tine really visited Sarawat, thus, explains why the bed is different OMG DID I CONNECT THE DOTS
and if still together mv was shot in P’Dim’s house, the end part of mv would mean that Tine really visited Sarawat, thus, explains why the bed is different OMG DID I CONNECT THE DOTS
REFERENCE!!! SKDJSHSJSHSGS IM NOT CRYING OVER THIS https://twitter.com/pamcee/status/1299550902215294976?s=21 https://twitter.com/pamcee/status/1299550902215294976
hold awnnnn this is just a theory bec the parallelism between the mv and ep 3 are just insane but YES CRY WITH ME
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