There's also a kind of anti-respectability politics, which views everything that appeals to conventional people as either hopelessly naive and dowdy or thoroughly hypocritical, and sometimes as both

Usually this attitude is fostered in bohemian milieus, where a shared commitment to 'epater les bourgeois' and cultivated anti-conformism mistakes itself for political principle, it's almost beneath mentioning that it becomes its own sort of conformism

You get an importation of the intellectual habits of art criticism and social appraisal into politics, in some ways a welcome new perspective for political judgment to consider, but have the unfortunate result of turning everything into a question of affect or pose

There is always a performative aspect of politics, it's a kind of theater, so the eye trained to either judge artistic or social performances is going to make very witty and sometimes penetrating observations about politics, but usually they have more wit than substance

Politics, or rather commentary on politics, is one of the last places where people can maintain the very 19th century pretension of being simultaneously totally ensconced in a tiny elite cult of decadence while convincing themselves they understand the feelings of "the people"

Some of the points of the bohemian political commentators are undoubtedly correct: much of conventional society and its ruling class are hypocritical and stupid, and their vaunted norms both hide their misconduct and prevent them from thinking

But they don't really have much of substantial position beyond seeing through these things and flaunting their own superiority to it all

Very fond of armchair sociology, they can't really theorize their own sociological position vis a vis the squares and dupes and how they need them for their own existence