The problem of amalgamation isn't uniquely Black American (fantasy worldbuilding post-Tolkien; USA's founding mythologies), although I agree it's a problem for us.

I guess...I have to write about this. (There are aspects of "Wakandafication" that I haven't seen anyone mention.)
Critique sharpens your thought process. I will say that if we’re going to start critiquing Black US imagination, a book from 20 years ago that I learned about from Black historian friends absolutely needs to be considered in these critiques: Wilson Julian Moses’ AFROTOPIA.
Most of the essays I've read about Black Panther and Black Is King completely sever these highly commodified Afrofuturistic / Black SFF artistic productions - none of which existed when I was conducting the research for TDF -- from the history of Black US fantastic tradition.
The next SFF critical book I want to write is going to trace a tradition that parallels the dark fantastic cycle. But I honestly think that while those of us here need to be careful with our "Americanisms," and listen to what others are saying about our amalgamated dreams...
"Historical evidence shows enslaved people in the United States & the British Caribbean were taken from a larger number of regions of Africa [than those in Latin America]. Their descendants today show a genetic connection to people in 6 regions in Africa." https://www.nytimes.com/2020/07/23/science/23andme-african-ancestry.html
3 current dilemmas of Black North American mythopoesis seem to be:

1) The quantum dilemma (spacetime).
2) The amalgamation dilemma (ancestry & ethnic authenticity).
3) The palimpsest dilemma (retentions & cultural authenticity).

I'll chew these up in a second piece, I guess. đŸ€·đŸżâ€â™€ïž
Meanwhile, let me throw this thread into my Notes.
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