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Man I love this woman’s voice on KTFC
I’m guessing he’s referring to the Chrysler 300?
KTFC is so cringe at times unfortunately. Except when he settles in.
Love that minimum wage line lol
Well done @OVO40
9 sounds like a song I put on while driving on the interstate
I absolutely love 9 lol
The U with Me interpolations/samples are iconic.
Obsessed with that melody he uses mid song. He sounds comfortable with this pocket
The bars after that are just a little cringeworthy unfortunately
Very unsatisfying ending to this song unfortunately but I love what 40 does. Blending the sounds to create a peaceful exit and a wonderful transition to the next song
Feel no ways is top 10 Drake. That’s it
I don’t feel anything about Hype really. It doesn’t stand out but I don’t mind it either
40 does it again with masterful production/mixing with Weston Road Flows. Also Drake feels relaxed here. The lyrics feel just like his emotions. Calculated. Thought-out. Processed.
Redemption has a beautiful sound. My only opinion is that it can get boring or too long at times. Drake is comfortable. The beat describes Drake’s emotions and the mood of the city perfectly. But the track overall could have been shorter.
I personally could have been satisfied without the ending tbh. But I do love how personal the lyrics get. The flow gets better on a second listen but overall still a bit longer than my liking
I feel “warmer” when I listen to “With You”. I don’t know how or why but it happens everytime lol. Not totally in love with Drake’s lyrics here. But I love Party’s sound here. Seems like Drake chooses to blend. It works.
Ah faithful. A mere painful track to listen to tbh. The Amber Rose voiceover seems out of place. Pimp C’s verse also feels random. Drake’s flow works but doesn’t match the feel of the overall album. This whole song feels thrown together rather than put together.
DVSN’s verse is a nice wake up call. Love what 40 does to their vocals here. However they don’t save the overall song. It just doesnt really make sense unfortunately.
On “Still Here” Drake settles in very nicely. I’m not in love with the lyrical content he chooses. There could have been more vulnerability on this track. His flow fits perfectly though. This production is absolutely lovely from top to bottom.
The beginning of “Controlla” feels organic. Drake is relaxed. It feels like he’s having fun. Like picturing someone specific while writing the sound of this song. I miss Popcaan however but I understand his judgement
The ending feels a little forced by Drake. Seems like he was having almost “too much fun” but nonetheless the production still reigns on this track as well. This song overall is refreshing
One Dance feels like a hit I’ll remember forever. And even one I’ll play at my wedding. It’s a very fun song. It’s influence is unmatched compared to the rest of Drake’s hit singles. The songs fits. I feel warm. Open. This is where Drake is at his best
Ah. Grammys. A mere bore of a song. Drake reflects on his insecurities displaying his relationship with “Mo-G” publicly. This song is a waste of time. Not even Future’s verse fills the void. Feels like Drake has to literally scream his accomplishments into existence
I find myself settling into the highs and lows of Child’s Play. The song is wild. Misogynistic. It’s...Rap
. More specifically, it’s Drake. I love the story here. I’m never bored when I listen to this song. Its unpredictable. Love the sample/interpolation of course.
. More specifically, it’s Drake. I love the story here. I’m never bored when I listen to this song. Its unpredictable. Love the sample/interpolation of course.
Pop style. The absolute worst song in Drake’s discography. The lyrics and flow are just as lazy as Drake is. I hate that this song is on here. Jay’s verse feels...just not right. The sounds are all over the place. Another song that feels “thrown together” and not put together
Too Good is a “warm” summer awakening. Riri’s chemistry with Drake is outstanding. Drake is definitely relaxed. The pockets he and Rihanna are finding are absolutely catchy/amazing. The lyrics are relatable and the sound is amazing.
Summer’s Interlude feels like an unnecessary conclusion to the story. It feels out of place (much like HB). I do love the sound of Majid Jordan. Maybe it’s the placement that ruins it for me. But it has grown on me for sure since last listen
Fire and Desire. Wow.
I do have one critique however. I wish Drake would have continued the melodic flow in the beginning for a little bit longer. Drake usually sings in minor but this time the higher pitch he used definitely gave me a Marvin’s Room feeling. Overall amazing R&B Drake for sure
Views. A great closing track I feel. I absolutely love where Drake is on this record. 40’s beautiful production. Drake’s insecurities/complex feelings/braggadocio lines laid out on a beautiful landscape with gospel undertones. Drake is relaxed and most importantly confident.
Hotline Bling. I honestly love this song a lot. However it is out of place and results in the many critiques that the album is too long. Drake’s pockets/flow are absolutely unbelievable in this song. The chorus is too catchy. Making it impossible to deny Drake’s hitmaking
Ability. It’s tough. I love the ending of the song though. It feels like the credits are rolling through like the end of a movie or short film. This is also one of Drake’s nostalgic hits. (Even if ppl don’t admit it.) it’s fun. Its inevitable. It’s irresistible. It’s Drake lol
