films as fashion houses (a thread)

basic instinct (1992)
gucci by tom ford (1994-2004)
sleek, sexy, & dark: fordâs gucci was made for daring femme fetales, & this erotic thrillerâs iconic fashing scene fits the scandalous campaigns ford did for the house. stone is the devil in a white dressâ the ford/gucci woman.
gucci by tom ford (1994-2004)
sleek, sexy, & dark: fordâs gucci was made for daring femme fetales, & this erotic thrillerâs iconic fashing scene fits the scandalous campaigns ford did for the house. stone is the devil in a white dressâ the ford/gucci woman.
marie antoinette (2006)
dior by john galliano (1996-2011)
despite g*llianoâs disgusting views, there is no arguing that his work at dior was one of the most important moments in fashion. the extravagance in his haute couture shows has resembled that of antoinetteâs insane life!
dior by john galliano (1996-2011)
despite g*llianoâs disgusting views, there is no arguing that his work at dior was one of the most important moments in fashion. the extravagance in his haute couture shows has resembled that of antoinetteâs insane life!
black swan (2010)
mugler by thierry mugler (1973-2002), mugler by nicola formachetti (2010-2013).
muglerâs aesthetic is very fitting with that of black swanâs, +a level of sexiness. thierryâs work shows the classic ballet side, while nicolaâs depicts black swanâs tone off stage.
mugler by thierry mugler (1973-2002), mugler by nicola formachetti (2010-2013).
muglerâs aesthetic is very fitting with that of black swanâs, +a level of sexiness. thierryâs work shows the classic ballet side, while nicolaâs depicts black swanâs tone off stage.
the royal tenenbaums (2001)
gucci by alessandro michele (2016-)
wes andersonâs films scream gucci; wes + michele are a match made in heaven. however, no film embodies alessandroâs aesthetic like the royal tenenbaums. loud colors, 70âs inspired, thereâs even a tracksuit involved.
gucci by alessandro michele (2016-)
wes andersonâs films scream gucci; wes + michele are a match made in heaven. however, no film embodies alessandroâs aesthetic like the royal tenenbaums. loud colors, 70âs inspired, thereâs even a tracksuit involved.
iâm not there (2007)
celine by hedi slimane (2018-)
despite my distaste towards new celine, iâm not there has a rockstar quality with sophisticationâsomething saint laurent lacked with its loud prints & 21st century silhouettes. a black suit+sunglasses is a new celine signature.
celine by hedi slimane (2018-)
despite my distaste towards new celine, iâm not there has a rockstar quality with sophisticationâsomething saint laurent lacked with its loud prints & 21st century silhouettes. a black suit+sunglasses is a new celine signature.
belle de jour (1967)
isabel marant by isabel marant (1994-)
belle de jour has a clean, bright and elegant parisian chic that i think is a large part of marantâs brand identity. itâs feminine and light, flowy and simple, like old cĂ©lineâs younger, sweeter parisian sister.
isabel marant by isabel marant (1994-)
belle de jour has a clean, bright and elegant parisian chic that i think is a large part of marantâs brand identity. itâs feminine and light, flowy and simple, like old cĂ©lineâs younger, sweeter parisian sister.
call me by your name (2017)
jacquemus homme by simon-porte jacquemus (2018-)
jacquemus as a brand is a summer fantasy, and this is definitely no exception for simonâs menswear. something about it is so sensual & dreamy, and it fits call me by your name perfectly.
jacquemus homme by simon-porte jacquemus (2018-)
jacquemus as a brand is a summer fantasy, and this is definitely no exception for simonâs menswear. something about it is so sensual & dreamy, and it fits call me by your name perfectly.
la collectionneuse (1967)
jacquemus by simon porte-jacquemus (2009-)
summer, the beach, & warmth defines jacquemus. in la collectionneuse, Ă©ric rohmer paints a painting in film of saint-tropez in the summer, and the colors in this film match jacquemusâ retro-inspired aesthetic.
jacquemus by simon porte-jacquemus (2009-)
summer, the beach, & warmth defines jacquemus. in la collectionneuse, Ă©ric rohmer paints a painting in film of saint-tropez in the summer, and the colors in this film match jacquemusâ retro-inspired aesthetic.
breakfast at tiffanyâs (1961)
givenchy by hubert de givenchy (1954-1995)
need i say more? audrey hepburn and breakfast at tiffanyâs little black dress defined givenchy and made it what it was, and there would be no givenchy without it.
givenchy by hubert de givenchy (1954-1995)
need i say more? audrey hepburn and breakfast at tiffanyâs little black dress defined givenchy and made it what it was, and there would be no givenchy without it.