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Candy // BITCHHHHHHHHH BYE I’M FINNA D-WORD. This 808 is SO sickening!!! That Mike, Mitchell, Adrian, DEEZ production combo is something vicious. It’s all major so far, 
. Come on pre-chorus on the down beats. Baekhyun is so fucking smart like excuse you. The chorus is SO (1/3)
. Come on pre-chorus on the down beats. Baekhyun is so fucking smart like excuse you. The chorus is SO (1/3)
. Kenzie wrote the fuck outta this. He didn’t use falsetto until the end of the second verse, which I’m fine with, his chest voice is BEAUTIFUL. “Got me feeling like pop rocks, strawberry, bubble gum” THE BRIDGE BITCH I’M FINNA SUCK DICK. What is happening?!? (2/3)
The switch to minor in the instrumental. THESE FALSETTO ADLIBS AFTER THE BRIDGE!!! I would like to fight. YES FOR the instrumental thinning towards the end and giving a good 90’s moment. Baek, Kenz, DEEZ, Mike, Mitchell, Adrian, all these MF SNAPPED. This is so good. (3/3)
R U Ridin’? // MAKE IT CLAP?!?!?!? That’s what the fuck they had said?!? That’s what they said. This instrumental gives Kenzie DOWWWNNNNNNNNN bitch. He’s really in his lower range bag on the verses. And I appreciate that, because... he has the range. So 
the verses are (1/3)
the verses are (1/3)
are real cute, but the end of the choruses is *chefs kiss* that repeated “are you ridin’” in that deep ass voice. This ol’ short ass, giraffe neck ass man really is so talented and smart. The spoken adlibs kinda ghetto lmfao but I LIVE. 
the bridge is SO short which (2/3)
the bridge is SO short which (2/3)
is also a nod to early 90’s music, I love that that’s the aesthetic for this album so far. ENDING ADLIBS DOWNNNNNNN. No skips so far. (3/3)
Bungee // Wait this instrumental is MY SOUND, this is the kind of music I live for. That minor resolve, light 808, jazz drum kit sound?!? Yessssssss ma’am. The chord progressions on the choruses are so pleasant to listen to. His vocals are kinda different on this in a great (1/3)
they’re lighter more wispy, which with his musical knowledge, you know it was a choice. There’s not much to talk about, it’s a really easy listen, and extremely well composed. Very Baek high note on the bridge. Full octave adlibs above the melody, SMART!!! That downward (2/3)
arpeggio adlib at the end was DELICIOUS. I like this one a lot. (3/3)
Underwater // oh this MF is SEXY then a bitch. Excuse me. The instrumental is DISGUSTING 
it’s VERY Baekhyun. The whole thing. The legato notes that go throughout the verses, and adlibs leading into new words. He does these things often and it’s kinda (1/2)
it’s VERY Baekhyun. The whole thing. The legato notes that go throughout the verses, and adlibs leading into new words. He does these things often and it’s kinda (1/2)
become like, his thing, so I’m always happy when he revisits it. And that harmonized falsetto at the end of the choruses. And I love that the bridge, goes minor, with a full octave adlib on top, with that sexy falsetto ending. This one is definitely top tier for me (2/2)
Poppin’ // BITCH THIS IS BETCHA 2.0. Ima beat this nigga ass!!! WE’RE TIRED BAEKHYUN!!! The 808’s on this album are really something sickening idk now I feel about that too synth, but it’s not like WTF is this, so I’m in it still. Lol. The switch up on the prechorus (1/3)
idk now I feel about that too synth, but it’s not like WTF is this, so I’m in it still. Lol. The switch up on the prechorus (1/3)
is real cute though. The adlibs on this are so good though. He’s in low chest voice and they sound SO on point. The harmonies on the chorus give feel good, party anthem and I live for that no matter what. It’s funny to hear Baekhyun talking about getting something (2/3)
poppin’ lol I love him. Somebody edit this on that video of that flash mob that had Betcha on it for the last year. Hahahahaha. I like it. (3/3)
Ghost // this is SO different from what’s been going on in this album. It’s still very obscurely like 90’s beatnik so it fits. The lyrics are so good (well from what I can understand) lol I really like how chill and easy the instrumental is. Nothing extremely (1/2)
groundbreaking happened in this song specifically, but also every song doesn’t need high notes and crazy adlibs. I really like it. The choruses especially. (2/2)
Love Again // y’all know I love a good acoustic intro opposed to a synth. This is such a good way to end the EP. I will say the instrumental is VERY COLDE and STALLY. They definitely have a signature sound. The chorus is so simple but very effective. I prefer the second (1/2)
verse, it just moved more for me. I could see vibin’ out to this after work, windows down, that’s really what it gives. There’s not like a real “bridge” it’s more of like a breakdown, and he’s in a part of his voice he doesn’t access often. I like it. (2/2)
