katya as lady gaga songs

...i just feel like she strongly matches gagas songwriting energy ok?
Poker Face (2009)

đ˜źđ˜ąđ˜šđ˜Żđ˜Šđ˜”đ˜Ș𝘮𝘼, đ˜”đ˜Šđ˜Żđ˜Žđ˜Ș𝘰𝘯, đ˜”đ˜©đ˜Š đ˜©đ˜Šđ˜ąđ˜łđ˜”đ˜ąđ˜€đ˜©đ˜Š 𝘰𝘧 𝘣𝘩đ˜Ș𝘯𝘹 đ˜­đ˜Šđ˜„ 𝘰𝘯, đ˜”đ˜©đ˜Š đ˜”đ˜©đ˜łđ˜Ș𝘭𝘭 𝘰𝘧 𝘱 đ˜€đ˜©đ˜ąđ˜Žđ˜Š, đ˜Žđ˜¶đ˜Łđ˜”đ˜­đ˜Š đ˜Žđ˜Šđ˜„đ˜¶đ˜€đ˜”đ˜Ș𝘰𝘯
Poker Face (2009)đ˜źđ˜ąđ˜šđ˜Żđ˜Šđ˜”đ˜Ș𝘮𝘼, đ˜”đ˜Šđ˜Żđ˜Žđ˜Ș𝘰𝘯, đ˜”đ˜©đ˜Š đ˜©đ˜Šđ˜ąđ˜łđ˜”đ˜ąđ˜€đ˜©đ˜Š 𝘰𝘧 𝘣𝘩đ˜Ș𝘯𝘹 đ˜­đ˜Šđ˜„ 𝘰𝘯, đ˜”đ˜©đ˜Š đ˜”đ˜©đ˜łđ˜Ș𝘭𝘭 𝘰𝘧 𝘱 đ˜€đ˜©đ˜ąđ˜Žđ˜Š, đ˜Žđ˜¶đ˜Łđ˜”đ˜­đ˜Š đ˜Žđ˜Šđ˜„đ˜¶đ˜€đ˜”đ˜Ș𝘰𝘯
Poker Face (2009)đ˜źđ˜ąđ˜šđ˜Żđ˜Šđ˜”đ˜Ș𝘮𝘼, đ˜”đ˜Šđ˜Żđ˜Žđ˜Ș𝘰𝘯, đ˜”đ˜©đ˜Š đ˜©đ˜Šđ˜ąđ˜łđ˜”đ˜ąđ˜€đ˜©đ˜Š 𝘰𝘧 𝘣𝘩đ˜Ș𝘯𝘹 đ˜­đ˜Šđ˜„ 𝘰𝘯, đ˜”đ˜©đ˜Š đ˜”đ˜©đ˜łđ˜Ș𝘭𝘭 𝘰𝘧 𝘱 đ˜€đ˜©đ˜ąđ˜Žđ˜Š, đ˜Žđ˜¶đ˜Łđ˜”đ˜­đ˜Š đ˜Žđ˜Šđ˜„đ˜¶đ˜€đ˜”đ˜Ș𝘰𝘯
Poker Face (2009)đ˜źđ˜ąđ˜šđ˜Żđ˜Šđ˜”đ˜Ș𝘮𝘼, đ˜”đ˜Šđ˜Żđ˜Žđ˜Ș𝘰𝘯, đ˜”đ˜©đ˜Š đ˜©đ˜Šđ˜ąđ˜łđ˜”đ˜ąđ˜€đ˜©đ˜Š 𝘰𝘧 𝘣𝘩đ˜Ș𝘯𝘹 đ˜­đ˜Šđ˜„ 𝘰𝘯, đ˜”đ˜©đ˜Š đ˜”đ˜©đ˜łđ˜Ș𝘭𝘭 𝘰𝘧 𝘱 đ˜€đ˜©đ˜ąđ˜Žđ˜Š, đ˜Žđ˜¶đ˜Łđ˜”đ˜­đ˜Š đ˜Žđ˜Šđ˜„đ˜¶đ˜€đ˜”đ˜Ș𝘰𝘯
Poker Face (2009)đ˜źđ˜ąđ˜šđ˜Żđ˜Šđ˜”đ˜Ș𝘮𝘼, đ˜”đ˜Šđ˜Żđ˜Žđ˜Ș𝘰𝘯, đ˜”đ˜©đ˜Š đ˜©đ˜Šđ˜ąđ˜łđ˜”đ˜ąđ˜€đ˜©đ˜Š 𝘰𝘧 𝘣𝘩đ˜Ș𝘯𝘹 đ˜­đ˜Šđ˜„ 𝘰𝘯, đ˜”đ˜©đ˜Š đ˜”đ˜©đ˜łđ˜Ș𝘭𝘭 𝘰𝘧 𝘱 đ˜€đ˜©đ˜ąđ˜Žđ˜Š, đ˜Žđ˜¶đ˜Łđ˜”đ˜­đ˜Š đ˜Žđ˜Šđ˜„đ˜¶đ˜€đ˜”đ˜Ș𝘰𝘯
The Cure (2017)

đ˜¶đ˜Żđ˜€đ˜°đ˜Żđ˜„đ˜Șđ˜”đ˜Ș𝘰𝘯𝘱𝘭, đ˜±đ˜łđ˜¶đ˜„đ˜Šđ˜Żđ˜”, 𝘮𝘩𝘭𝘧-đ˜Žđ˜ąđ˜€đ˜łđ˜Ș𝘧đ˜Șđ˜€đ˜Ș𝘯𝘹 đ˜žđ˜°đ˜¶đ˜Żđ˜„đ˜Šđ˜„ đ˜©đ˜Šđ˜ąđ˜­đ˜Šđ˜ł, đ˜žđ˜©đ˜Șđ˜Žđ˜±đ˜Šđ˜łđ˜Ș𝘯𝘹 đ˜Žđ˜žđ˜Šđ˜Šđ˜”-đ˜Żđ˜°đ˜”đ˜©đ˜Ș𝘯𝘹𝘮 đ˜Șđ˜Żđ˜”đ˜° 𝘱 đ˜­đ˜°đ˜·đ˜Šđ˜„ 𝘰𝘯𝘩𝘮 𝘩𝘱𝘳, đ˜€đ˜°đ˜źđ˜§đ˜°đ˜łđ˜”đ˜ąđ˜Łđ˜­đ˜Š 𝘮đ˜Șđ˜­đ˜Šđ˜Żđ˜€đ˜Šđ˜Ž
The Cure (2017)đ˜¶đ˜Żđ˜€đ˜°đ˜Żđ˜„đ˜Șđ˜”đ˜Ș𝘰𝘯𝘱𝘭, đ˜±đ˜łđ˜¶đ˜„đ˜Šđ˜Żđ˜”, 𝘮𝘩𝘭𝘧-đ˜Žđ˜ąđ˜€đ˜łđ˜Ș𝘧đ˜Șđ˜€đ˜Ș𝘯𝘹 đ˜žđ˜°đ˜¶đ˜Żđ˜„đ˜Šđ˜„ đ˜©đ˜Šđ˜ąđ˜­đ˜Šđ˜ł, đ˜žđ˜©đ˜Șđ˜Žđ˜±đ˜Šđ˜łđ˜Ș𝘯𝘹 đ˜Žđ˜žđ˜Šđ˜Šđ˜”-đ˜Żđ˜°đ˜”đ˜©đ˜Ș𝘯𝘹𝘮 đ˜Șđ˜Żđ˜”đ˜° 𝘱 đ˜­đ˜°đ˜·đ˜Šđ˜„ 𝘰𝘯𝘩𝘮 𝘩𝘱𝘳, đ˜€đ˜°đ˜źđ˜§đ˜°đ˜łđ˜”đ˜ąđ˜Łđ˜­đ˜Š 𝘮đ˜Șđ˜­đ˜Šđ˜Żđ˜€đ˜Šđ˜Ž
The Cure (2017)đ˜¶đ˜Żđ˜€đ˜°đ˜Żđ˜„đ˜Șđ˜”đ˜Ș𝘰𝘯𝘱𝘭, đ˜±đ˜łđ˜¶đ˜„đ˜Šđ˜Żđ˜”, 𝘮𝘩𝘭𝘧-đ˜Žđ˜ąđ˜€đ˜łđ˜Ș𝘧đ˜Șđ˜€đ˜Ș𝘯𝘹 đ˜žđ˜°đ˜¶đ˜Żđ˜„đ˜Šđ˜„ đ˜©đ˜Šđ˜ąđ˜­đ˜Šđ˜ł, đ˜žđ˜©đ˜Șđ˜Žđ˜±đ˜Šđ˜łđ˜Ș𝘯𝘹 đ˜Žđ˜žđ˜Šđ˜Šđ˜”-đ˜Żđ˜°đ˜”đ˜©đ˜Ș𝘯𝘹𝘮 đ˜Șđ˜Żđ˜”đ˜° 𝘱 đ˜­đ˜°đ˜·đ˜Šđ˜„ 𝘰𝘯𝘩𝘮 𝘩𝘱𝘳, đ˜€đ˜°đ˜źđ˜§đ˜°đ˜łđ˜”đ˜ąđ˜Łđ˜­đ˜Š 𝘮đ˜Șđ˜­đ˜Šđ˜Żđ˜€đ˜Šđ˜Ž
The Cure (2017)đ˜¶đ˜Żđ˜€đ˜°đ˜Żđ˜„đ˜Șđ˜”đ˜Ș𝘰𝘯𝘱𝘭, đ˜±đ˜łđ˜¶đ˜„đ˜Šđ˜Żđ˜”, 𝘮𝘩𝘭𝘧-đ˜Žđ˜ąđ˜€đ˜łđ˜Ș𝘧đ˜Șđ˜€đ˜Ș𝘯𝘹 đ˜žđ˜°đ˜¶đ˜Żđ˜„đ˜Šđ˜„ đ˜©đ˜Šđ˜ąđ˜­đ˜Šđ˜ł, đ˜žđ˜©đ˜Șđ˜Žđ˜±đ˜Šđ˜łđ˜Ș𝘯𝘹 đ˜Žđ˜žđ˜Šđ˜Šđ˜”-đ˜Żđ˜°đ˜”đ˜©đ˜Ș𝘯𝘹𝘮 đ˜Șđ˜Żđ˜”đ˜° 𝘱 đ˜­đ˜°đ˜·đ˜Šđ˜„ 𝘰𝘯𝘩𝘮 𝘩𝘱𝘳, đ˜€đ˜°đ˜źđ˜§đ˜°đ˜łđ˜”đ˜ąđ˜Łđ˜­đ˜Š 𝘮đ˜Șđ˜­đ˜Šđ˜Żđ˜€đ˜Šđ˜Ž
The Cure (2017)đ˜¶đ˜Żđ˜€đ˜°đ˜Żđ˜„đ˜Șđ˜”đ˜Ș𝘰𝘯𝘱𝘭, đ˜±đ˜łđ˜¶đ˜„đ˜Šđ˜Żđ˜”, 𝘮𝘩𝘭𝘧-đ˜Žđ˜ąđ˜€đ˜łđ˜Ș𝘧đ˜Șđ˜€đ˜Ș𝘯𝘹 đ˜žđ˜°đ˜¶đ˜Żđ˜„đ˜Šđ˜„ đ˜©đ˜Šđ˜ąđ˜­đ˜Šđ˜ł, đ˜žđ˜©đ˜Șđ˜Žđ˜±đ˜Šđ˜łđ˜Ș𝘯𝘹 đ˜Žđ˜žđ˜Šđ˜Šđ˜”-đ˜Żđ˜°đ˜”đ˜©đ˜Ș𝘯𝘹𝘮 đ˜Șđ˜Żđ˜”đ˜° 𝘱 đ˜­đ˜°đ˜·đ˜Šđ˜„ 𝘰𝘯𝘩𝘮 𝘩𝘱𝘳, đ˜€đ˜°đ˜źđ˜§đ˜°đ˜łđ˜”đ˜ąđ˜Łđ˜­đ˜Š 𝘮đ˜Șđ˜­đ˜Šđ˜Żđ˜€đ˜Šđ˜Ž
Bad Romance (2009)

đ˜¶đ˜Żđ˜łđ˜Šđ˜Čđ˜¶đ˜Șđ˜”đ˜Šđ˜„ đ˜­đ˜°đ˜·đ˜Š, đ˜€đ˜°đ˜Żđ˜”đ˜ąđ˜šđ˜Șđ˜°đ˜¶đ˜Ž đ˜€đ˜°đ˜Żđ˜§đ˜Șđ˜„đ˜Šđ˜Żđ˜€đ˜Š, 𝘳𝘱𝘾 đ˜­đ˜¶đ˜Žđ˜”, 𝘮𝘼𝘰𝘬đ˜Ș𝘯𝘹 đ˜ąđ˜§đ˜”đ˜Šđ˜ł 𝘮𝘩đ˜č, đ˜€đ˜°đ˜Żđ˜Žđ˜Šđ˜Żđ˜Žđ˜¶đ˜ąđ˜­ đ˜·đ˜Șđ˜°đ˜­đ˜Šđ˜Żđ˜€đ˜Š
Bad Romance (2009)đ˜¶đ˜Żđ˜łđ˜Šđ˜Čđ˜¶đ˜Șđ˜”đ˜Šđ˜„ đ˜­đ˜°đ˜·đ˜Š, đ˜€đ˜°đ˜Żđ˜”đ˜ąđ˜šđ˜Șđ˜°đ˜¶đ˜Ž đ˜€đ˜°đ˜Żđ˜§đ˜Șđ˜„đ˜Šđ˜Żđ˜€đ˜Š, 𝘳𝘱𝘾 đ˜­đ˜¶đ˜Žđ˜”, 𝘮𝘼𝘰𝘬đ˜Ș𝘯𝘹 đ˜ąđ˜§đ˜”đ˜Šđ˜ł 𝘮𝘩đ˜č, đ˜€đ˜°đ˜Żđ˜Žđ˜Šđ˜Żđ˜Žđ˜¶đ˜ąđ˜­ đ˜·đ˜Șđ˜°đ˜­đ˜Šđ˜Żđ˜€đ˜Š
Bad Romance (2009)đ˜¶đ˜Żđ˜łđ˜Šđ˜Čđ˜¶đ˜Șđ˜”đ˜Šđ˜„ đ˜­đ˜°đ˜·đ˜Š, đ˜€đ˜°đ˜Żđ˜”đ˜ąđ˜šđ˜Șđ˜°đ˜¶đ˜Ž đ˜€đ˜°đ˜Żđ˜§đ˜Șđ˜„đ˜Šđ˜Żđ˜€đ˜Š, 𝘳𝘱𝘾 đ˜­đ˜¶đ˜Žđ˜”, 𝘮𝘼𝘰𝘬đ˜Ș𝘯𝘹 đ˜ąđ˜§đ˜”đ˜Šđ˜ł 𝘮𝘩đ˜č, đ˜€đ˜°đ˜Żđ˜Žđ˜Šđ˜Żđ˜Žđ˜¶đ˜ąđ˜­ đ˜·đ˜Șđ˜°đ˜­đ˜Šđ˜Żđ˜€đ˜Š
Bad Romance (2009)đ˜¶đ˜Żđ˜łđ˜Šđ˜Čđ˜¶đ˜Șđ˜”đ˜Šđ˜„ đ˜­đ˜°đ˜·đ˜Š, đ˜€đ˜°đ˜Żđ˜”đ˜ąđ˜šđ˜Șđ˜°đ˜¶đ˜Ž đ˜€đ˜°đ˜Żđ˜§đ˜Șđ˜„đ˜Šđ˜Żđ˜€đ˜Š, 𝘳𝘱𝘾 đ˜­đ˜¶đ˜Žđ˜”, 𝘮𝘼𝘰𝘬đ˜Ș𝘯𝘹 đ˜ąđ˜§đ˜”đ˜Šđ˜ł 𝘮𝘩đ˜č, đ˜€đ˜°đ˜Żđ˜Žđ˜Šđ˜Żđ˜Žđ˜¶đ˜ąđ˜­ đ˜·đ˜Șđ˜°đ˜­đ˜Šđ˜Żđ˜€đ˜Š
Bad Romance (2009)đ˜¶đ˜Żđ˜łđ˜Šđ˜Čđ˜¶đ˜Șđ˜”đ˜Šđ˜„ đ˜­đ˜°đ˜·đ˜Š, đ˜€đ˜°đ˜Żđ˜”đ˜ąđ˜šđ˜Șđ˜°đ˜¶đ˜Ž đ˜€đ˜°đ˜Żđ˜§đ˜Șđ˜„đ˜Šđ˜Żđ˜€đ˜Š, 𝘳𝘱𝘾 đ˜­đ˜¶đ˜Žđ˜”, 𝘮𝘼𝘰𝘬đ˜Ș𝘯𝘹 đ˜ąđ˜§đ˜”đ˜Šđ˜ł 𝘮𝘩đ˜č, đ˜€đ˜°đ˜Żđ˜Žđ˜Šđ˜Żđ˜Žđ˜¶đ˜ąđ˜­ đ˜·đ˜Șđ˜°đ˜­đ˜Šđ˜Żđ˜€đ˜Š
G. U. Y. (2013)

đ˜Žđ˜Šđ˜Żđ˜Žđ˜¶đ˜ąđ˜­ đ˜©đ˜Šđ˜„đ˜°đ˜Żđ˜Ș𝘮𝘼, đ˜Žđ˜”đ˜łđ˜Šđ˜Żđ˜šđ˜”đ˜© đ˜Ș𝘯 đ˜·đ˜¶đ˜­đ˜Żđ˜Šđ˜łđ˜ąđ˜Łđ˜Ș𝘭đ˜Șđ˜”đ˜ș, đ˜Žđ˜”đ˜łđ˜Ș𝘯𝘹𝘮 đ˜ąđ˜”đ˜”đ˜ąđ˜€đ˜©đ˜Šđ˜„, 𝘌𝘳𝘰𝘮: đ˜šđ˜°đ˜„ 𝘰𝘧 𝘮𝘩đ˜čđ˜¶đ˜ąđ˜­ đ˜„đ˜Šđ˜Žđ˜Ș𝘳𝘩, 𝘳𝘰𝘮𝘩 đ˜±đ˜Šđ˜”đ˜ąđ˜­ đ˜±đ˜ąđ˜”đ˜© đ˜”đ˜° 𝘱 đ˜Łđ˜ąđ˜”đ˜©đ˜”đ˜¶đ˜Ł 𝘭đ˜Șđ˜Żđ˜Šđ˜„ 𝘾đ˜Șđ˜”đ˜© đ˜€đ˜ąđ˜Żđ˜„đ˜­đ˜Šđ˜Ž
G. U. Y. (2013)đ˜Žđ˜Šđ˜Żđ˜Žđ˜¶đ˜ąđ˜­ đ˜©đ˜Šđ˜„đ˜°đ˜Żđ˜Ș𝘮𝘼, đ˜Žđ˜”đ˜łđ˜Šđ˜Żđ˜šđ˜”đ˜© đ˜Ș𝘯 đ˜·đ˜¶đ˜­đ˜Żđ˜Šđ˜łđ˜ąđ˜Łđ˜Ș𝘭đ˜Șđ˜”đ˜ș, đ˜Žđ˜”đ˜łđ˜Ș𝘯𝘹𝘮 đ˜ąđ˜”đ˜”đ˜ąđ˜€đ˜©đ˜Šđ˜„, 𝘌𝘳𝘰𝘮: đ˜šđ˜°đ˜„ 𝘰𝘧 𝘮𝘩đ˜čđ˜¶đ˜ąđ˜­ đ˜„đ˜Šđ˜Žđ˜Ș𝘳𝘩, 𝘳𝘰𝘮𝘩 đ˜±đ˜Šđ˜”đ˜ąđ˜­ đ˜±đ˜ąđ˜”đ˜© đ˜”đ˜° 𝘱 đ˜Łđ˜ąđ˜”đ˜©đ˜”đ˜¶đ˜Ł 𝘭đ˜Șđ˜Żđ˜Šđ˜„ 𝘾đ˜Șđ˜”đ˜© đ˜€đ˜ąđ˜Żđ˜„đ˜­đ˜Šđ˜Ž
G. U. Y. (2013)đ˜Žđ˜Šđ˜Żđ˜Žđ˜¶đ˜ąđ˜­ đ˜©đ˜Šđ˜„đ˜°đ˜Żđ˜Ș𝘮𝘼, đ˜Žđ˜”đ˜łđ˜Šđ˜Żđ˜šđ˜”đ˜© đ˜Ș𝘯 đ˜·đ˜¶đ˜­đ˜Żđ˜Šđ˜łđ˜ąđ˜Łđ˜Ș𝘭đ˜Șđ˜”đ˜ș, đ˜Žđ˜”đ˜łđ˜Ș𝘯𝘹𝘮 đ˜ąđ˜”đ˜”đ˜ąđ˜€đ˜©đ˜Šđ˜„, 𝘌𝘳𝘰𝘮: đ˜šđ˜°đ˜„ 𝘰𝘧 𝘮𝘩đ˜čđ˜¶đ˜ąđ˜­ đ˜„đ˜Šđ˜Žđ˜Ș𝘳𝘩, 𝘳𝘰𝘮𝘩 đ˜±đ˜Šđ˜”đ˜ąđ˜­ đ˜±đ˜ąđ˜”đ˜© đ˜”đ˜° 𝘱 đ˜Łđ˜ąđ˜”đ˜©đ˜”đ˜¶đ˜Ł 𝘭đ˜Șđ˜Żđ˜Šđ˜„ 𝘾đ˜Șđ˜”đ˜© đ˜€đ˜ąđ˜Żđ˜„đ˜­đ˜Šđ˜Ž
G. U. Y. (2013)đ˜Žđ˜Šđ˜Żđ˜Žđ˜¶đ˜ąđ˜­ đ˜©đ˜Šđ˜„đ˜°đ˜Żđ˜Ș𝘮𝘼, đ˜Žđ˜”đ˜łđ˜Šđ˜Żđ˜šđ˜”đ˜© đ˜Ș𝘯 đ˜·đ˜¶đ˜­đ˜Żđ˜Šđ˜łđ˜ąđ˜Łđ˜Ș𝘭đ˜Șđ˜”đ˜ș, đ˜Žđ˜”đ˜łđ˜Ș𝘯𝘹𝘮 đ˜ąđ˜”đ˜”đ˜ąđ˜€đ˜©đ˜Šđ˜„, 𝘌𝘳𝘰𝘮: đ˜šđ˜°đ˜„ 𝘰𝘧 𝘮𝘩đ˜čđ˜¶đ˜ąđ˜­ đ˜„đ˜Šđ˜Žđ˜Ș𝘳𝘩, 𝘳𝘰𝘮𝘩 đ˜±đ˜Šđ˜”đ˜ąđ˜­ đ˜±đ˜ąđ˜”đ˜© đ˜”đ˜° 𝘱 đ˜Łđ˜ąđ˜”đ˜©đ˜”đ˜¶đ˜Ł 𝘭đ˜Șđ˜Żđ˜Šđ˜„ 𝘾đ˜Șđ˜”đ˜© đ˜€đ˜ąđ˜Żđ˜„đ˜­đ˜Šđ˜Ž
G. U. Y. (2013)đ˜Žđ˜Šđ˜Żđ˜Žđ˜¶đ˜ąđ˜­ đ˜©đ˜Šđ˜„đ˜°đ˜Żđ˜Ș𝘮𝘼, đ˜Žđ˜”đ˜łđ˜Šđ˜Żđ˜šđ˜”đ˜© đ˜Ș𝘯 đ˜·đ˜¶đ˜­đ˜Żđ˜Šđ˜łđ˜ąđ˜Łđ˜Ș𝘭đ˜Șđ˜”đ˜ș, đ˜Žđ˜”đ˜łđ˜Ș𝘯𝘹𝘮 đ˜ąđ˜”đ˜”đ˜ąđ˜€đ˜©đ˜Šđ˜„, 𝘌𝘳𝘰𝘮: đ˜šđ˜°đ˜„ 𝘰𝘧 𝘮𝘩đ˜čđ˜¶đ˜ąđ˜­ đ˜„đ˜Šđ˜Žđ˜Ș𝘳𝘩, 𝘳𝘰𝘮𝘩 đ˜±đ˜Šđ˜”đ˜ąđ˜­ đ˜±đ˜ąđ˜”đ˜© đ˜”đ˜° 𝘱 đ˜Łđ˜ąđ˜”đ˜©đ˜”đ˜¶đ˜Ł 𝘭đ˜Șđ˜Żđ˜Šđ˜„ 𝘾đ˜Șđ˜”đ˜© đ˜€đ˜ąđ˜Żđ˜„đ˜­đ˜Šđ˜Ž
Marry The Night (2011)

đ˜Žđ˜°đ˜­đ˜„đ˜Ș𝘩𝘳 𝘰𝘧 đ˜­đ˜°đ˜·đ˜Š, 𝘳𝘩𝘮đ˜Ș𝘭đ˜Șđ˜Šđ˜Żđ˜€đ˜Š, đ˜€đ˜°đ˜Żđ˜Žđ˜”đ˜łđ˜¶đ˜€đ˜”đ˜Ș𝘯𝘹 đ˜șđ˜°đ˜¶đ˜ł 𝘰𝘾𝘯 đ˜€đ˜ąđ˜”đ˜ąđ˜Žđ˜”đ˜łđ˜°đ˜±đ˜©đ˜Š, 𝘣𝘩đ˜Ș𝘯𝘹 đ˜”đ˜©đ˜Š đ˜Žđ˜¶đ˜łđ˜·đ˜Șđ˜·đ˜°đ˜ł đ˜Ș𝘯 𝘱 đ˜©đ˜°đ˜łđ˜łđ˜°đ˜ł đ˜źđ˜°đ˜·đ˜Ș𝘩, đ˜Žđ˜©đ˜Ș𝘼𝘼𝘩𝘳đ˜Ș𝘯𝘹 đ˜Łđ˜­đ˜ąđ˜€đ˜Ź 𝘹𝘭đ˜Șđ˜”đ˜”đ˜Šđ˜ł
Marry The Night (2011)đ˜Žđ˜°đ˜­đ˜„đ˜Ș𝘩𝘳 𝘰𝘧 đ˜­đ˜°đ˜·đ˜Š, 𝘳𝘩𝘮đ˜Ș𝘭đ˜Șđ˜Šđ˜Żđ˜€đ˜Š, đ˜€đ˜°đ˜Żđ˜Žđ˜”đ˜łđ˜¶đ˜€đ˜”đ˜Ș𝘯𝘹 đ˜șđ˜°đ˜¶đ˜ł 𝘰𝘾𝘯 đ˜€đ˜ąđ˜”đ˜ąđ˜Žđ˜”đ˜łđ˜°đ˜±đ˜©đ˜Š, 𝘣𝘩đ˜Ș𝘯𝘹 đ˜”đ˜©đ˜Š đ˜Žđ˜¶đ˜łđ˜·đ˜Șđ˜·đ˜°đ˜ł đ˜Ș𝘯 𝘱 đ˜©đ˜°đ˜łđ˜łđ˜°đ˜ł đ˜źđ˜°đ˜·đ˜Ș𝘩, đ˜Žđ˜©đ˜Ș𝘼𝘼𝘩𝘳đ˜Ș𝘯𝘹 đ˜Łđ˜­đ˜ąđ˜€đ˜Ź 𝘹𝘭đ˜Șđ˜”đ˜”đ˜Šđ˜ł
Marry The Night (2011)đ˜Žđ˜°đ˜­đ˜„đ˜Ș𝘩𝘳 𝘰𝘧 đ˜­đ˜°đ˜·đ˜Š, 𝘳𝘩𝘮đ˜Ș𝘭đ˜Șđ˜Šđ˜Żđ˜€đ˜Š, đ˜€đ˜°đ˜Żđ˜Žđ˜”đ˜łđ˜¶đ˜€đ˜”đ˜Ș𝘯𝘹 đ˜șđ˜°đ˜¶đ˜ł 𝘰𝘾𝘯 đ˜€đ˜ąđ˜”đ˜ąđ˜Žđ˜”đ˜łđ˜°đ˜±đ˜©đ˜Š, 𝘣𝘩đ˜Ș𝘯𝘹 đ˜”đ˜©đ˜Š đ˜Žđ˜¶đ˜łđ˜·đ˜Șđ˜·đ˜°đ˜ł đ˜Ș𝘯 𝘱 đ˜©đ˜°đ˜łđ˜łđ˜°đ˜ł đ˜źđ˜°đ˜·đ˜Ș𝘩, đ˜Žđ˜©đ˜Ș𝘼𝘼𝘩𝘳đ˜Ș𝘯𝘹 đ˜Łđ˜­đ˜ąđ˜€đ˜Ź 𝘹𝘭đ˜Șđ˜”đ˜”đ˜Šđ˜ł
Marry The Night (2011)đ˜Žđ˜°đ˜­đ˜„đ˜Ș𝘩𝘳 𝘰𝘧 đ˜­đ˜°đ˜·đ˜Š, 𝘳𝘩𝘮đ˜Ș𝘭đ˜Șđ˜Šđ˜Żđ˜€đ˜Š, đ˜€đ˜°đ˜Żđ˜Žđ˜”đ˜łđ˜¶đ˜€đ˜”đ˜Ș𝘯𝘹 đ˜șđ˜°đ˜¶đ˜ł 𝘰𝘾𝘯 đ˜€đ˜ąđ˜”đ˜ąđ˜Žđ˜”đ˜łđ˜°đ˜±đ˜©đ˜Š, 𝘣𝘩đ˜Ș𝘯𝘹 đ˜”đ˜©đ˜Š đ˜Žđ˜¶đ˜łđ˜·đ˜Șđ˜·đ˜°đ˜ł đ˜Ș𝘯 𝘱 đ˜©đ˜°đ˜łđ˜łđ˜°đ˜ł đ˜źđ˜°đ˜·đ˜Ș𝘩, đ˜Žđ˜©đ˜Ș𝘼𝘼𝘩𝘳đ˜Ș𝘯𝘹 đ˜Łđ˜­đ˜ąđ˜€đ˜Ź 𝘹𝘭đ˜Șđ˜”đ˜”đ˜Šđ˜ł
Marry The Night (2011)đ˜Žđ˜°đ˜­đ˜„đ˜Ș𝘩𝘳 𝘰𝘧 đ˜­đ˜°đ˜·đ˜Š, 𝘳𝘩𝘮đ˜Ș𝘭đ˜Șđ˜Šđ˜Żđ˜€đ˜Š, đ˜€đ˜°đ˜Żđ˜Žđ˜”đ˜łđ˜¶đ˜€đ˜”đ˜Ș𝘯𝘹 đ˜șđ˜°đ˜¶đ˜ł 𝘰𝘾𝘯 đ˜€đ˜ąđ˜”đ˜ąđ˜Žđ˜”đ˜łđ˜°đ˜±đ˜©đ˜Š, 𝘣𝘩đ˜Ș𝘯𝘹 đ˜”đ˜©đ˜Š đ˜Žđ˜¶đ˜łđ˜·đ˜Șđ˜·đ˜°đ˜ł đ˜Ș𝘯 𝘱 đ˜©đ˜°đ˜łđ˜łđ˜°đ˜ł đ˜źđ˜°đ˜·đ˜Ș𝘩, đ˜Žđ˜©đ˜Ș𝘼𝘼𝘩𝘳đ˜Ș𝘯𝘹 đ˜Łđ˜­đ˜ąđ˜€đ˜Ź 𝘹𝘭đ˜Șđ˜”đ˜”đ˜Šđ˜ł
John Wayne (2016)

𝘩đ˜čđ˜±đ˜­đ˜°đ˜Žđ˜Șđ˜·đ˜Š đ˜ąđ˜„đ˜łđ˜Šđ˜Żđ˜ąđ˜­đ˜Ș𝘯𝘩, đ˜Șđ˜źđ˜±đ˜ąđ˜”đ˜Șđ˜Šđ˜Żđ˜”, đ˜”đ˜©đ˜Š đ˜±đ˜­đ˜ąđ˜Żđ˜Šđ˜” 𝘰𝘧 𝘼𝘱𝘳𝘮, 𝘯𝘩𝘱𝘳 đ˜„đ˜Šđ˜ąđ˜”đ˜© 𝘩đ˜čđ˜±đ˜Šđ˜łđ˜Șđ˜Šđ˜Żđ˜€đ˜Šđ˜Ž, đ˜„đ˜ąđ˜Żđ˜šđ˜Šđ˜łđ˜°đ˜¶đ˜Žđ˜­đ˜ș đ˜Ș𝘯 đ˜­đ˜°đ˜·đ˜Š
John Wayne (2016)𝘩đ˜čđ˜±đ˜­đ˜°đ˜Žđ˜Șđ˜·đ˜Š đ˜ąđ˜„đ˜łđ˜Šđ˜Żđ˜ąđ˜­đ˜Ș𝘯𝘩, đ˜Șđ˜źđ˜±đ˜ąđ˜”đ˜Șđ˜Šđ˜Żđ˜”, đ˜”đ˜©đ˜Š đ˜±đ˜­đ˜ąđ˜Żđ˜Šđ˜” 𝘰𝘧 𝘼𝘱𝘳𝘮, 𝘯𝘩𝘱𝘳 đ˜„đ˜Šđ˜ąđ˜”đ˜© 𝘩đ˜čđ˜±đ˜Šđ˜łđ˜Șđ˜Šđ˜Żđ˜€đ˜Šđ˜Ž, đ˜„đ˜ąđ˜Żđ˜šđ˜Šđ˜łđ˜°đ˜¶đ˜Žđ˜­đ˜ș đ˜Ș𝘯 đ˜­đ˜°đ˜·đ˜Š
John Wayne (2016)𝘩đ˜čđ˜±đ˜­đ˜°đ˜Žđ˜Șđ˜·đ˜Š đ˜ąđ˜„đ˜łđ˜Šđ˜Żđ˜ąđ˜­đ˜Ș𝘯𝘩, đ˜Șđ˜źđ˜±đ˜ąđ˜”đ˜Șđ˜Šđ˜Żđ˜”, đ˜”đ˜©đ˜Š đ˜±đ˜­đ˜ąđ˜Żđ˜Šđ˜” 𝘰𝘧 𝘼𝘱𝘳𝘮, 𝘯𝘩𝘱𝘳 đ˜„đ˜Šđ˜ąđ˜”đ˜© 𝘩đ˜čđ˜±đ˜Šđ˜łđ˜Șđ˜Šđ˜Żđ˜€đ˜Šđ˜Ž, đ˜„đ˜ąđ˜Żđ˜šđ˜Šđ˜łđ˜°đ˜¶đ˜Žđ˜­đ˜ș đ˜Ș𝘯 đ˜­đ˜°đ˜·đ˜Š
John Wayne (2016)𝘩đ˜čđ˜±đ˜­đ˜°đ˜Žđ˜Șđ˜·đ˜Š đ˜ąđ˜„đ˜łđ˜Šđ˜Żđ˜ąđ˜­đ˜Ș𝘯𝘩, đ˜Șđ˜źđ˜±đ˜ąđ˜”đ˜Șđ˜Šđ˜Żđ˜”, đ˜”đ˜©đ˜Š đ˜±đ˜­đ˜ąđ˜Żđ˜Šđ˜” 𝘰𝘧 𝘼𝘱𝘳𝘮, 𝘯𝘩𝘱𝘳 đ˜„đ˜Šđ˜ąđ˜”đ˜© 𝘩đ˜čđ˜±đ˜Šđ˜łđ˜Șđ˜Šđ˜Żđ˜€đ˜Šđ˜Ž, đ˜„đ˜ąđ˜Żđ˜šđ˜Šđ˜łđ˜°đ˜¶đ˜Žđ˜­đ˜ș đ˜Ș𝘯 đ˜­đ˜°đ˜·đ˜Š
John Wayne (2016)𝘩đ˜čđ˜±đ˜­đ˜°đ˜Žđ˜Șđ˜·đ˜Š đ˜ąđ˜„đ˜łđ˜Šđ˜Żđ˜ąđ˜­đ˜Ș𝘯𝘩, đ˜Șđ˜źđ˜±đ˜ąđ˜”đ˜Șđ˜Šđ˜Żđ˜”, đ˜”đ˜©đ˜Š đ˜±đ˜­đ˜ąđ˜Żđ˜Šđ˜” 𝘰𝘧 𝘼𝘱𝘳𝘮, 𝘯𝘩𝘱𝘳 đ˜„đ˜Šđ˜ąđ˜”đ˜© 𝘩đ˜čđ˜±đ˜Šđ˜łđ˜Șđ˜Šđ˜Żđ˜€đ˜Šđ˜Ž, đ˜„đ˜ąđ˜Żđ˜šđ˜Šđ˜łđ˜°đ˜¶đ˜Žđ˜­đ˜ș đ˜Ș𝘯 đ˜­đ˜°đ˜·đ˜Š
Alejandro (2009)

đ˜„đ˜Šđ˜ąđ˜„ 𝘳𝘰𝘮𝘩𝘮, 𝘣đ˜Șđ˜”đ˜”đ˜Šđ˜łđ˜Žđ˜žđ˜Šđ˜Šđ˜” đ˜”đ˜łđ˜ąđ˜šđ˜Šđ˜„đ˜Ș𝘩𝘮, đ˜±đ˜ąđ˜Șđ˜Żđ˜§đ˜¶đ˜­ đ˜¶đ˜­đ˜”đ˜Șđ˜źđ˜ąđ˜”đ˜¶đ˜źđ˜Ž, đ˜Łđ˜­đ˜°đ˜°đ˜„đ˜ș 𝘼𝘱𝘳đ˜ș đ˜„đ˜łđ˜Ș𝘯𝘬𝘮, 𝘱 đ˜±đ˜Šđ˜łđ˜±đ˜Šđ˜”đ˜¶đ˜ąđ˜­ đ˜„đ˜°đ˜źđ˜Ș𝘯𝘩𝘩𝘳đ˜Ș𝘯𝘹 đ˜ąđ˜”đ˜”đ˜Șđ˜”đ˜¶đ˜„đ˜Š
Alejandro (2009)đ˜„đ˜Šđ˜ąđ˜„ 𝘳𝘰𝘮𝘩𝘮, 𝘣đ˜Șđ˜”đ˜”đ˜Šđ˜łđ˜Žđ˜žđ˜Šđ˜Šđ˜” đ˜”đ˜łđ˜ąđ˜šđ˜Šđ˜„đ˜Ș𝘩𝘮, đ˜±đ˜ąđ˜Șđ˜Żđ˜§đ˜¶đ˜­ đ˜¶đ˜­đ˜”đ˜Șđ˜źđ˜ąđ˜”đ˜¶đ˜źđ˜Ž, đ˜Łđ˜­đ˜°đ˜°đ˜„đ˜ș 𝘼𝘱𝘳đ˜ș đ˜„đ˜łđ˜Ș𝘯𝘬𝘮, 𝘱 đ˜±đ˜Šđ˜łđ˜±đ˜Šđ˜”đ˜¶đ˜ąđ˜­ đ˜„đ˜°đ˜źđ˜Ș𝘯𝘩𝘩𝘳đ˜Ș𝘯𝘹 đ˜ąđ˜”đ˜”đ˜Șđ˜”đ˜¶đ˜„đ˜Š
Alejandro (2009)đ˜„đ˜Šđ˜ąđ˜„ 𝘳𝘰𝘮𝘩𝘮, 𝘣đ˜Șđ˜”đ˜”đ˜Šđ˜łđ˜Žđ˜žđ˜Šđ˜Šđ˜” đ˜”đ˜łđ˜ąđ˜šđ˜Šđ˜„đ˜Ș𝘩𝘮, đ˜±đ˜ąđ˜Șđ˜Żđ˜§đ˜¶đ˜­ đ˜¶đ˜­đ˜”đ˜Șđ˜źđ˜ąđ˜”đ˜¶đ˜źđ˜Ž, đ˜Łđ˜­đ˜°đ˜°đ˜„đ˜ș 𝘼𝘱𝘳đ˜ș đ˜„đ˜łđ˜Ș𝘯𝘬𝘮, 𝘱 đ˜±đ˜Šđ˜łđ˜±đ˜Šđ˜”đ˜¶đ˜ąđ˜­ đ˜„đ˜°đ˜źđ˜Ș𝘯𝘩𝘩𝘳đ˜Ș𝘯𝘹 đ˜ąđ˜”đ˜”đ˜Șđ˜”đ˜¶đ˜„đ˜Š
Alejandro (2009)đ˜„đ˜Šđ˜ąđ˜„ 𝘳𝘰𝘮𝘩𝘮, 𝘣đ˜Șđ˜”đ˜”đ˜Šđ˜łđ˜Žđ˜žđ˜Šđ˜Šđ˜” đ˜”đ˜łđ˜ąđ˜šđ˜Šđ˜„đ˜Ș𝘩𝘮, đ˜±đ˜ąđ˜Șđ˜Żđ˜§đ˜¶đ˜­ đ˜¶đ˜­đ˜”đ˜Șđ˜źđ˜ąđ˜”đ˜¶đ˜źđ˜Ž, đ˜Łđ˜­đ˜°đ˜°đ˜„đ˜ș 𝘼𝘱𝘳đ˜ș đ˜„đ˜łđ˜Ș𝘯𝘬𝘮, 𝘱 đ˜±đ˜Šđ˜łđ˜±đ˜Šđ˜”đ˜¶đ˜ąđ˜­ đ˜„đ˜°đ˜źđ˜Ș𝘯𝘩𝘩𝘳đ˜Ș𝘯𝘹 đ˜ąđ˜”đ˜”đ˜Șđ˜”đ˜¶đ˜„đ˜Š
Alejandro (2009)đ˜„đ˜Šđ˜ąđ˜„ 𝘳𝘰𝘮𝘩𝘮, 𝘣đ˜Șđ˜”đ˜”đ˜Šđ˜łđ˜Žđ˜žđ˜Šđ˜Šđ˜” đ˜”đ˜łđ˜ąđ˜šđ˜Šđ˜„đ˜Ș𝘩𝘮, đ˜±đ˜ąđ˜Șđ˜Żđ˜§đ˜¶đ˜­ đ˜¶đ˜­đ˜”đ˜Șđ˜źđ˜ąđ˜”đ˜¶đ˜źđ˜Ž, đ˜Łđ˜­đ˜°đ˜°đ˜„đ˜ș 𝘼𝘱𝘳đ˜ș đ˜„đ˜łđ˜Ș𝘯𝘬𝘮, 𝘱 đ˜±đ˜Šđ˜łđ˜±đ˜Šđ˜”đ˜¶đ˜ąđ˜­ đ˜„đ˜°đ˜źđ˜Ș𝘯𝘩𝘩𝘳đ˜Ș𝘯𝘹 đ˜ąđ˜”đ˜”đ˜Șđ˜”đ˜¶đ˜„đ˜Š
Stupid Love (2020)

đ˜¶đ˜Żđ˜ąđ˜±đ˜°đ˜­đ˜°đ˜šđ˜Šđ˜”đ˜Șđ˜€, đ˜”đ˜©đ˜Š đ˜±đ˜­đ˜ąđ˜Żđ˜Šđ˜” 𝘰𝘧 đ˜·đ˜Šđ˜Żđ˜¶đ˜Ž đ˜Ș𝘯 đ˜łđ˜Šđ˜”đ˜łđ˜°đ˜šđ˜łđ˜ąđ˜„đ˜Š, đ˜¶đ˜Żđ˜”đ˜ąđ˜źđ˜Šđ˜„ đ˜Șđ˜Żđ˜”đ˜Șđ˜źđ˜ąđ˜€đ˜ș, đ˜žđ˜©đ˜Șđ˜”đ˜Š đ˜©đ˜Šđ˜ąđ˜”, đ˜€đ˜°đ˜źđ˜Ș𝘯𝘹 𝘰𝘯 đ˜Žđ˜”đ˜łđ˜°đ˜Żđ˜š
Stupid Love (2020)đ˜¶đ˜Żđ˜ąđ˜±đ˜°đ˜­đ˜°đ˜šđ˜Šđ˜”đ˜Șđ˜€, đ˜”đ˜©đ˜Š đ˜±đ˜­đ˜ąđ˜Żđ˜Šđ˜” 𝘰𝘧 đ˜·đ˜Šđ˜Żđ˜¶đ˜Ž đ˜Ș𝘯 đ˜łđ˜Šđ˜”đ˜łđ˜°đ˜šđ˜łđ˜ąđ˜„đ˜Š, đ˜¶đ˜Żđ˜”đ˜ąđ˜źđ˜Šđ˜„ đ˜Șđ˜Żđ˜”đ˜Șđ˜źđ˜ąđ˜€đ˜ș, đ˜žđ˜©đ˜Șđ˜”đ˜Š đ˜©đ˜Šđ˜ąđ˜”, đ˜€đ˜°đ˜źđ˜Ș𝘯𝘹 𝘰𝘯 đ˜Žđ˜”đ˜łđ˜°đ˜Żđ˜š
Stupid Love (2020)đ˜¶đ˜Żđ˜ąđ˜±đ˜°đ˜­đ˜°đ˜šđ˜Šđ˜”đ˜Șđ˜€, đ˜”đ˜©đ˜Š đ˜±đ˜­đ˜ąđ˜Żđ˜Šđ˜” 𝘰𝘧 đ˜·đ˜Šđ˜Żđ˜¶đ˜Ž đ˜Ș𝘯 đ˜łđ˜Šđ˜”đ˜łđ˜°đ˜šđ˜łđ˜ąđ˜„đ˜Š, đ˜¶đ˜Żđ˜”đ˜ąđ˜źđ˜Šđ˜„ đ˜Șđ˜Żđ˜”đ˜Șđ˜źđ˜ąđ˜€đ˜ș, đ˜žđ˜©đ˜Șđ˜”đ˜Š đ˜©đ˜Šđ˜ąđ˜”, đ˜€đ˜°đ˜źđ˜Ș𝘯𝘹 𝘰𝘯 đ˜Žđ˜”đ˜łđ˜°đ˜Żđ˜š
Stupid Love (2020)đ˜¶đ˜Żđ˜ąđ˜±đ˜°đ˜­đ˜°đ˜šđ˜Šđ˜”đ˜Șđ˜€, đ˜”đ˜©đ˜Š đ˜±đ˜­đ˜ąđ˜Żđ˜Šđ˜” 𝘰𝘧 đ˜·đ˜Šđ˜Żđ˜¶đ˜Ž đ˜Ș𝘯 đ˜łđ˜Šđ˜”đ˜łđ˜°đ˜šđ˜łđ˜ąđ˜„đ˜Š, đ˜¶đ˜Żđ˜”đ˜ąđ˜źđ˜Šđ˜„ đ˜Șđ˜Żđ˜”đ˜Șđ˜źđ˜ąđ˜€đ˜ș, đ˜žđ˜©đ˜Șđ˜”đ˜Š đ˜©đ˜Šđ˜ąđ˜”, đ˜€đ˜°đ˜źđ˜Ș𝘯𝘹 𝘰𝘯 đ˜Žđ˜”đ˜łđ˜°đ˜Żđ˜š
Stupid Love (2020)đ˜¶đ˜Żđ˜ąđ˜±đ˜°đ˜­đ˜°đ˜šđ˜Šđ˜”đ˜Șđ˜€, đ˜”đ˜©đ˜Š đ˜±đ˜­đ˜ąđ˜Żđ˜Šđ˜” 𝘰𝘧 đ˜·đ˜Šđ˜Żđ˜¶đ˜Ž đ˜Ș𝘯 đ˜łđ˜Šđ˜”đ˜łđ˜°đ˜šđ˜łđ˜ąđ˜„đ˜Š, đ˜¶đ˜Żđ˜”đ˜ąđ˜źđ˜Šđ˜„ đ˜Șđ˜Żđ˜”đ˜Șđ˜źđ˜ąđ˜€đ˜ș, đ˜žđ˜©đ˜Șđ˜”đ˜Š đ˜©đ˜Šđ˜ąđ˜”, đ˜€đ˜°đ˜źđ˜Ș𝘯𝘹 𝘰𝘯 đ˜Žđ˜”đ˜łđ˜°đ˜Żđ˜š
Perfect Illusion (2016)

đ˜„đ˜łđ˜¶đ˜š đ˜Șđ˜Żđ˜„đ˜¶đ˜€đ˜Šđ˜„ đ˜Žđ˜­đ˜°đ˜žđ˜Šđ˜„ đ˜źđ˜°đ˜”đ˜°đ˜ł 𝘮𝘬đ˜Ș𝘭𝘭𝘮, 𝘾𝘱𝘬đ˜Ș𝘯𝘹 đ˜¶đ˜± 𝘾đ˜Șđ˜”đ˜© 𝘱 đ˜±đ˜°đ˜žđ˜Šđ˜łđ˜§đ˜¶đ˜­ đ˜©đ˜ąđ˜Żđ˜šđ˜°đ˜·đ˜Šđ˜ł, 𝘣𝘩đ˜Ș𝘯𝘹 đ˜”đ˜łđ˜ąđ˜±đ˜±đ˜Šđ˜„ đ˜Ș𝘯 𝘱 𝘭𝘱𝘣đ˜ș𝘳đ˜Șđ˜Żđ˜”đ˜©, đ˜Žđ˜¶đ˜„đ˜„đ˜Šđ˜Ż 𝘳𝘩𝘱𝘭đ˜Șđ˜»đ˜ąđ˜”đ˜Ș𝘰𝘯, đ˜„đ˜łđ˜ąđ˜źđ˜ąđ˜”đ˜Șđ˜€đ˜Ž
Perfect Illusion (2016)đ˜„đ˜łđ˜¶đ˜š đ˜Șđ˜Żđ˜„đ˜¶đ˜€đ˜Šđ˜„ đ˜Žđ˜­đ˜°đ˜žđ˜Šđ˜„ đ˜źđ˜°đ˜”đ˜°đ˜ł 𝘮𝘬đ˜Ș𝘭𝘭𝘮, 𝘾𝘱𝘬đ˜Ș𝘯𝘹 đ˜¶đ˜± 𝘾đ˜Șđ˜”đ˜© 𝘱 đ˜±đ˜°đ˜žđ˜Šđ˜łđ˜§đ˜¶đ˜­ đ˜©đ˜ąđ˜Żđ˜šđ˜°đ˜·đ˜Šđ˜ł, 𝘣𝘩đ˜Ș𝘯𝘹 đ˜”đ˜łđ˜ąđ˜±đ˜±đ˜Šđ˜„ đ˜Ș𝘯 𝘱 𝘭𝘱𝘣đ˜ș𝘳đ˜Șđ˜Żđ˜”đ˜©, đ˜Žđ˜¶đ˜„đ˜„đ˜Šđ˜Ż 𝘳𝘩𝘱𝘭đ˜Șđ˜»đ˜ąđ˜”đ˜Ș𝘰𝘯, đ˜„đ˜łđ˜ąđ˜źđ˜ąđ˜”đ˜Șđ˜€đ˜Ž
Perfect Illusion (2016)đ˜„đ˜łđ˜¶đ˜š đ˜Șđ˜Żđ˜„đ˜¶đ˜€đ˜Šđ˜„ đ˜Žđ˜­đ˜°đ˜žđ˜Šđ˜„ đ˜źđ˜°đ˜”đ˜°đ˜ł 𝘮𝘬đ˜Ș𝘭𝘭𝘮, 𝘾𝘱𝘬đ˜Ș𝘯𝘹 đ˜¶đ˜± 𝘾đ˜Șđ˜”đ˜© 𝘱 đ˜±đ˜°đ˜žđ˜Šđ˜łđ˜§đ˜¶đ˜­ đ˜©đ˜ąđ˜Żđ˜šđ˜°đ˜·đ˜Šđ˜ł, 𝘣𝘩đ˜Ș𝘯𝘹 đ˜”đ˜łđ˜ąđ˜±đ˜±đ˜Šđ˜„ đ˜Ș𝘯 𝘱 𝘭𝘱𝘣đ˜ș𝘳đ˜Șđ˜Żđ˜”đ˜©, đ˜Žđ˜¶đ˜„đ˜„đ˜Šđ˜Ż 𝘳𝘩𝘱𝘭đ˜Șđ˜»đ˜ąđ˜”đ˜Ș𝘰𝘯, đ˜„đ˜łđ˜ąđ˜źđ˜ąđ˜”đ˜Șđ˜€đ˜Ž
Perfect Illusion (2016)đ˜„đ˜łđ˜¶đ˜š đ˜Șđ˜Żđ˜„đ˜¶đ˜€đ˜Šđ˜„ đ˜Žđ˜­đ˜°đ˜žđ˜Šđ˜„ đ˜źđ˜°đ˜”đ˜°đ˜ł 𝘮𝘬đ˜Ș𝘭𝘭𝘮, 𝘾𝘱𝘬đ˜Ș𝘯𝘹 đ˜¶đ˜± 𝘾đ˜Șđ˜”đ˜© 𝘱 đ˜±đ˜°đ˜žđ˜Šđ˜łđ˜§đ˜¶đ˜­ đ˜©đ˜ąđ˜Żđ˜šđ˜°đ˜·đ˜Šđ˜ł, 𝘣𝘩đ˜Ș𝘯𝘹 đ˜”đ˜łđ˜ąđ˜±đ˜±đ˜Šđ˜„ đ˜Ș𝘯 𝘱 𝘭𝘱𝘣đ˜ș𝘳đ˜Șđ˜Żđ˜”đ˜©, đ˜Žđ˜¶đ˜„đ˜„đ˜Šđ˜Ż 𝘳𝘩𝘱𝘭đ˜Șđ˜»đ˜ąđ˜”đ˜Ș𝘰𝘯, đ˜„đ˜łđ˜ąđ˜źđ˜ąđ˜”đ˜Șđ˜€đ˜Ž
Perfect Illusion (2016)đ˜„đ˜łđ˜¶đ˜š đ˜Șđ˜Żđ˜„đ˜¶đ˜€đ˜Šđ˜„ đ˜Žđ˜­đ˜°đ˜žđ˜Šđ˜„ đ˜źđ˜°đ˜”đ˜°đ˜ł 𝘮𝘬đ˜Ș𝘭𝘭𝘮, 𝘾𝘱𝘬đ˜Ș𝘯𝘹 đ˜¶đ˜± 𝘾đ˜Șđ˜”đ˜© 𝘱 đ˜±đ˜°đ˜žđ˜Šđ˜łđ˜§đ˜¶đ˜­ đ˜©đ˜ąđ˜Żđ˜šđ˜°đ˜·đ˜Šđ˜ł, 𝘣𝘩đ˜Ș𝘯𝘹 đ˜”đ˜łđ˜ąđ˜±đ˜±đ˜Šđ˜„ đ˜Ș𝘯 𝘱 𝘭𝘱𝘣đ˜ș𝘳đ˜Șđ˜Żđ˜”đ˜©, đ˜Žđ˜¶đ˜„đ˜„đ˜Šđ˜Ż 𝘳𝘩𝘱𝘭đ˜Șđ˜»đ˜ąđ˜”đ˜Ș𝘰𝘯, đ˜„đ˜łđ˜ąđ˜źđ˜ąđ˜”đ˜Șđ˜€đ˜Ž
Hey Girl (2016)

đ˜­đ˜°đ˜Żđ˜šđ˜Šđ˜·đ˜Șđ˜”đ˜ș, đ˜”đ˜łđ˜¶đ˜Žđ˜”, 𝘭đ˜Ș𝘧𝘩𝘭𝘰𝘯𝘹 đ˜Łđ˜°đ˜Żđ˜„đ˜Ž, đ˜­đ˜Šđ˜·đ˜Šđ˜­đ˜Ș𝘯𝘹 đ˜”đ˜©đ˜Š đ˜±đ˜­đ˜ąđ˜șđ˜Ș𝘯𝘹 𝘧đ˜Șđ˜Šđ˜­đ˜„, đ˜Łđ˜ąđ˜€đ˜Źđ˜łđ˜¶đ˜Łđ˜Ž đ˜ąđ˜Żđ˜„ đ˜§đ˜°đ˜łđ˜Šđ˜©đ˜Šđ˜ąđ˜„ 𝘬đ˜Ș𝘮𝘮𝘩𝘮
Hey Girl (2016)đ˜­đ˜°đ˜Żđ˜šđ˜Šđ˜·đ˜Șđ˜”đ˜ș, đ˜”đ˜łđ˜¶đ˜Žđ˜”, 𝘭đ˜Ș𝘧𝘩𝘭𝘰𝘯𝘹 đ˜Łđ˜°đ˜Żđ˜„đ˜Ž, đ˜­đ˜Šđ˜·đ˜Šđ˜­đ˜Ș𝘯𝘹 đ˜”đ˜©đ˜Š đ˜±đ˜­đ˜ąđ˜șđ˜Ș𝘯𝘹 𝘧đ˜Șđ˜Šđ˜­đ˜„, đ˜Łđ˜ąđ˜€đ˜Źđ˜łđ˜¶đ˜Łđ˜Ž đ˜ąđ˜Żđ˜„ đ˜§đ˜°đ˜łđ˜Šđ˜©đ˜Šđ˜ąđ˜„ 𝘬đ˜Ș𝘮𝘮𝘩𝘮
Hey Girl (2016)đ˜­đ˜°đ˜Żđ˜šđ˜Šđ˜·đ˜Șđ˜”đ˜ș, đ˜”đ˜łđ˜¶đ˜Žđ˜”, 𝘭đ˜Ș𝘧𝘩𝘭𝘰𝘯𝘹 đ˜Łđ˜°đ˜Żđ˜„đ˜Ž, đ˜­đ˜Šđ˜·đ˜Šđ˜­đ˜Ș𝘯𝘹 đ˜”đ˜©đ˜Š đ˜±đ˜­đ˜ąđ˜șđ˜Ș𝘯𝘹 𝘧đ˜Șđ˜Šđ˜­đ˜„, đ˜Łđ˜ąđ˜€đ˜Źđ˜łđ˜¶đ˜Łđ˜Ž đ˜ąđ˜Żđ˜„ đ˜§đ˜°đ˜łđ˜Šđ˜©đ˜Šđ˜ąđ˜„ 𝘬đ˜Ș𝘮𝘮𝘩𝘮
Hey Girl (2016)đ˜­đ˜°đ˜Żđ˜šđ˜Šđ˜·đ˜Șđ˜”đ˜ș, đ˜”đ˜łđ˜¶đ˜Žđ˜”, 𝘭đ˜Ș𝘧𝘩𝘭𝘰𝘯𝘹 đ˜Łđ˜°đ˜Żđ˜„đ˜Ž, đ˜­đ˜Šđ˜·đ˜Šđ˜­đ˜Ș𝘯𝘹 đ˜”đ˜©đ˜Š đ˜±đ˜­đ˜ąđ˜șđ˜Ș𝘯𝘹 𝘧đ˜Șđ˜Šđ˜­đ˜„, đ˜Łđ˜ąđ˜€đ˜Źđ˜łđ˜¶đ˜Łđ˜Ž đ˜ąđ˜Żđ˜„ đ˜§đ˜°đ˜łđ˜Šđ˜©đ˜Šđ˜ąđ˜„ 𝘬đ˜Ș𝘮𝘮𝘩𝘮
Hey Girl (2016)đ˜­đ˜°đ˜Żđ˜šđ˜Šđ˜·đ˜Șđ˜”đ˜ș, đ˜”đ˜łđ˜¶đ˜Žđ˜”, 𝘭đ˜Ș𝘧𝘩𝘭𝘰𝘯𝘹 đ˜Łđ˜°đ˜Żđ˜„đ˜Ž, đ˜­đ˜Šđ˜·đ˜Šđ˜­đ˜Ș𝘯𝘹 đ˜”đ˜©đ˜Š đ˜±đ˜­đ˜ąđ˜șđ˜Ș𝘯𝘹 𝘧đ˜Șđ˜Šđ˜­đ˜„, đ˜Łđ˜ąđ˜€đ˜Źđ˜łđ˜¶đ˜Łđ˜Ž đ˜ąđ˜Żđ˜„ đ˜§đ˜°đ˜łđ˜Šđ˜©đ˜Šđ˜ąđ˜„ 𝘬đ˜Ș𝘮𝘮𝘩𝘮
The Edge of Glory (2011)

𝘳đ˜Ș𝘮đ˜Ș𝘯𝘹 đ˜ąđ˜€đ˜”đ˜Ș𝘰𝘯, đ˜Žđ˜¶đ˜Žđ˜±đ˜Šđ˜Żđ˜Žđ˜Ș𝘰𝘯, 𝘬đ˜Ș𝘮𝘮đ˜Ș𝘯𝘹 đ˜§đ˜ąđ˜”đ˜Š 𝘰𝘯 đ˜”đ˜©đ˜Š 𝘭đ˜Șđ˜±đ˜Ž, đ˜łđ˜¶đ˜Żđ˜Żđ˜Ș𝘯𝘹 𝘾đ˜Șđ˜”đ˜© đ˜Žđ˜±đ˜ąđ˜łđ˜Źđ˜­đ˜Šđ˜łđ˜Ž đ˜Ș𝘯 đ˜Łđ˜°đ˜”đ˜© đ˜©đ˜ąđ˜Żđ˜„đ˜Ž, 𝘮𝘱đ˜șđ˜Ș𝘯𝘹 'đ˜ș𝘩𝘮' đ˜”đ˜° đ˜Šđ˜·đ˜Šđ˜łđ˜șđ˜”đ˜©đ˜Ș𝘯𝘹 𝘧𝘰𝘳 𝘱𝘯 đ˜Šđ˜Żđ˜”đ˜Ș𝘳𝘩 𝘭đ˜Șđ˜§đ˜Šđ˜”đ˜Ș𝘼𝘩
The Edge of Glory (2011)𝘳đ˜Ș𝘮đ˜Ș𝘯𝘹 đ˜ąđ˜€đ˜”đ˜Ș𝘰𝘯, đ˜Žđ˜¶đ˜Žđ˜±đ˜Šđ˜Żđ˜Žđ˜Ș𝘰𝘯, 𝘬đ˜Ș𝘮𝘮đ˜Ș𝘯𝘹 đ˜§đ˜ąđ˜”đ˜Š 𝘰𝘯 đ˜”đ˜©đ˜Š 𝘭đ˜Șđ˜±đ˜Ž, đ˜łđ˜¶đ˜Żđ˜Żđ˜Ș𝘯𝘹 𝘾đ˜Șđ˜”đ˜© đ˜Žđ˜±đ˜ąđ˜łđ˜Źđ˜­đ˜Šđ˜łđ˜Ž đ˜Ș𝘯 đ˜Łđ˜°đ˜”đ˜© đ˜©đ˜ąđ˜Żđ˜„đ˜Ž, 𝘮𝘱đ˜șđ˜Ș𝘯𝘹 'đ˜ș𝘩𝘮' đ˜”đ˜° đ˜Šđ˜·đ˜Šđ˜łđ˜șđ˜”đ˜©đ˜Ș𝘯𝘹 𝘧𝘰𝘳 𝘱𝘯 đ˜Šđ˜Żđ˜”đ˜Ș𝘳𝘩 𝘭đ˜Șđ˜§đ˜Šđ˜”đ˜Ș𝘼𝘩
The Edge of Glory (2011)𝘳đ˜Ș𝘮đ˜Ș𝘯𝘹 đ˜ąđ˜€đ˜”đ˜Ș𝘰𝘯, đ˜Žđ˜¶đ˜Žđ˜±đ˜Šđ˜Żđ˜Žđ˜Ș𝘰𝘯, 𝘬đ˜Ș𝘮𝘮đ˜Ș𝘯𝘹 đ˜§đ˜ąđ˜”đ˜Š 𝘰𝘯 đ˜”đ˜©đ˜Š 𝘭đ˜Șđ˜±đ˜Ž, đ˜łđ˜¶đ˜Żđ˜Żđ˜Ș𝘯𝘹 𝘾đ˜Șđ˜”đ˜© đ˜Žđ˜±đ˜ąđ˜łđ˜Źđ˜­đ˜Šđ˜łđ˜Ž đ˜Ș𝘯 đ˜Łđ˜°đ˜”đ˜© đ˜©đ˜ąđ˜Żđ˜„đ˜Ž, 𝘮𝘱đ˜șđ˜Ș𝘯𝘹 'đ˜ș𝘩𝘮' đ˜”đ˜° đ˜Šđ˜·đ˜Šđ˜łđ˜șđ˜”đ˜©đ˜Ș𝘯𝘹 𝘧𝘰𝘳 𝘱𝘯 đ˜Šđ˜Żđ˜”đ˜Ș𝘳𝘩 𝘭đ˜Șđ˜§đ˜Šđ˜”đ˜Ș𝘼𝘩
The Edge of Glory (2011)𝘳đ˜Ș𝘮đ˜Ș𝘯𝘹 đ˜ąđ˜€đ˜”đ˜Ș𝘰𝘯, đ˜Žđ˜¶đ˜Žđ˜±đ˜Šđ˜Żđ˜Žđ˜Ș𝘰𝘯, 𝘬đ˜Ș𝘮𝘮đ˜Ș𝘯𝘹 đ˜§đ˜ąđ˜”đ˜Š 𝘰𝘯 đ˜”đ˜©đ˜Š 𝘭đ˜Șđ˜±đ˜Ž, đ˜łđ˜¶đ˜Żđ˜Żđ˜Ș𝘯𝘹 𝘾đ˜Șđ˜”đ˜© đ˜Žđ˜±đ˜ąđ˜łđ˜Źđ˜­đ˜Šđ˜łđ˜Ž đ˜Ș𝘯 đ˜Łđ˜°đ˜”đ˜© đ˜©đ˜ąđ˜Żđ˜„đ˜Ž, 𝘮𝘱đ˜șđ˜Ș𝘯𝘹 'đ˜ș𝘩𝘮' đ˜”đ˜° đ˜Šđ˜·đ˜Šđ˜łđ˜șđ˜”đ˜©đ˜Ș𝘯𝘹 𝘧𝘰𝘳 𝘱𝘯 đ˜Šđ˜Żđ˜”đ˜Ș𝘳𝘩 𝘭đ˜Șđ˜§đ˜Šđ˜”đ˜Ș𝘼𝘩
The Edge of Glory (2011)𝘳đ˜Ș𝘮đ˜Ș𝘯𝘹 đ˜ąđ˜€đ˜”đ˜Ș𝘰𝘯, đ˜Žđ˜¶đ˜Žđ˜±đ˜Šđ˜Żđ˜Žđ˜Ș𝘰𝘯, 𝘬đ˜Ș𝘮𝘮đ˜Ș𝘯𝘹 đ˜§đ˜ąđ˜”đ˜Š 𝘰𝘯 đ˜”đ˜©đ˜Š 𝘭đ˜Șđ˜±đ˜Ž, đ˜łđ˜¶đ˜Żđ˜Żđ˜Ș𝘯𝘹 𝘾đ˜Șđ˜”đ˜© đ˜Žđ˜±đ˜ąđ˜łđ˜Źđ˜­đ˜Šđ˜łđ˜Ž đ˜Ș𝘯 đ˜Łđ˜°đ˜”đ˜© đ˜©đ˜ąđ˜Żđ˜„đ˜Ž, 𝘮𝘱đ˜șđ˜Ș𝘯𝘹 'đ˜ș𝘩𝘮' đ˜”đ˜° đ˜Šđ˜·đ˜Šđ˜łđ˜șđ˜”đ˜©đ˜Ș𝘯𝘹 𝘧𝘰𝘳 𝘱𝘯 đ˜Šđ˜Żđ˜”đ˜Ș𝘳𝘩 𝘭đ˜Șđ˜§đ˜Šđ˜”đ˜Ș𝘼𝘩
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