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Kicking off a thread of my #SheRa season 5 BGs. This season was the most intense yet for the colour team and I& #39;m SO proud of the work @Kate_Farina and I did for it. The Velvet Glove was the hardest location in the whole show to get & #39;right& #39; and Im very happy with how it turned out
Noelle let me design Horde Prime& #39;s Nebula Interface sometime in S3 or S4 and I really love how it looks with the Velvet Glove& #39;s shape language. Our BG models were sculpted by Roger Oda. Also, I got to paint a LOT of glowy anime crystal stuff and thats my favourite.
Another thing I got to do this season was Props. She-Ra& #39;s New sword was designed by Elizabeth Kresin (our incredible AD) and I was asked to colour design it. I was really proud of the subtle crystalline structure but it could only be seen in extreme close ups ha ha
My favourite BG of these 4 is the Transformation Colourcard. It feels special when you& #39;re trusted to design an important element from scratch when you& #39;re on the colour team. Most of our work is on top of work from the Black+White team so I got giddy to really go ham with rainbows
I& #39;ve previously posted my BG& #39;s from earlier seasons, but out of all of Mara& #39;s Ship, Catras little closet room feels the most cohesive to me. I dont know why, I just think it& #39;s neat. Also, I appreciated colouring this huge Scientifically Improbable Asteroid Pan
I& #39;m pretty sure the Deep Woods Elementals were designed by @LaneGarrisonArt as were most of the critters in Etheria. I absolutely loved painting the rebellion colour cards even though we had to send most of them as roughs. it& #39;s very easy to work off @raegeii& #39;s character designs
You& #39;ll notice that some of these are a lot rougher than you& #39;d think. Our incredible animation studio, NE4U, really knocked it out of the park even when time crunch mandated that not all of our BG& #39;s could be sent clean.
and to wrap up, some Prime Drill and Heart Of Etheria off-shots. That extremely impressive pan shot of the Heart was actually completely done by Oliver Tseng and there was NO way I could match him in raw unfiltered talent. He was responsible for a TON of pre-dev and design.
Thats about it for the pretty stuff I was responsible for, check out my wifes thread for more S5 BG& #39;s and info. https://twitter.com/Kate_Farina/status/1263880713725607938?s=20">https://twitter.com/Kate_Fari...
I also want to thank our team for being the best god damn crew in the world. I think it& #39;s very clear from the show itself just how much every single person cared about this show and its message. We genuinely bonded in such a short few years and I can call most of that team family
it& #39;s genuinely so rare in this industry for a team to bond so strongly, to understand and appreciate the full weight of a project like She-Ra. I can only pray to experience something like that again in my career. Thank you so much to everyone.
and the biggest thanks to my friend, @Gingerhazing, for taking a chance on a trans guy with no animation experience and changing my life for the better in so many inconceivable ways. You deserve the world and I can& #39;t wait to see what She-Ra was a stepping stone towards. 
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