https://abs.twimg.com/emoji/v2/... draggable="false" alt="👏" title="Clapping hands sign" aria-label="Emoji: Clapping hands sign">https://abs.twimg.com/emoji/v2/... draggable="false" alt="👏" title="Clapping hands sign" aria-label="Emoji: Clapping hands sign">https://abs.twimg.com/emoji/v2/... draggable="false" alt="👏" title="Clapping hands sign" aria-label="Emoji: Clapping hands sign">
I never really got why they had to cut away to the 3 guys’ miserable present-day lives when no effort was given to resolve any of it, and when Joy had the most sympathetic struggle

Either let their stories pan out, or shift the focus to the one who needs the most agency https://twitter.com/emilhofilena/status/1259026137985900545">https://twitter.com/emilhofil...

Although we can argue that everything lacking in and of Joy’s perspective and agency is the point, but that just goes back to the point that the writing ought to go beyond just acting as a mirror for society.

This thread better articulates the point I’m trying to make. Apparently, the breakdown of the male leads felt rushed because it had been abridged from the original version. https://twitter.com/marcosumayao/status/1259167153544065026?s=21">https://twitter.com/marcosuma...