I think this is full of very helpful ideas about distribution, the extra challenges I would would be 1. Why is theatrical still regarded as the defining principle of a film’s release? And 2. Is geoblocking still appropriate when VOD becomes the norm of early release? https://twitter.com/sarahmosses/status/1254510146610495488

I don’t depend for a living on cinema (or tv) distribution and exhibition and I don’t want anyone to be out of a job, but this lockdown has exposed even more the gap between how audiences want to watch (smaller) films and how they’re actually released