not to have “show, don’t tell” discourse but the way I interpret it usefully for myself is: “prove it”
a lot of writing that doesn’t work for me feels unearned. “these characters are best friends/in love” or “this person is so brave/evil/kind” but there’s nothing to PROVE it
a lot of writing that doesn’t work for me feels unearned. “these characters are best friends/in love” or “this person is so brave/evil/kind” but there’s nothing to PROVE it
I actually like fancy narrative declarations about “the way something is” because it gives us a lot of insight into our narrator. but then I like the events of the story to either prove (or disprove) these claims
anyways i have a fantasy novel you can learn more about/add to goodreads/preorder here: https://marafitzgerald.com/beyond-the-ruby-veil/
i think of it as the villain origin story of a tiny chaos lesbian
i think of it as the villain origin story of a tiny chaos lesbian
