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This untitled sculpture represents an interesting new phase in the artist's development. In contrast to her signature piles of household objects (e.g. Every Last Pillow, 2019), here she uses lightweight materials to create a work of similar volume, though to very different effect
For contrast, consider a prototypical example of the artist's earlier work, Bike Ride for My Animals, 2019. Note the consistent tendancy toward self-insertion into the piece, blurring the line between sculpture and performance art
Table (2020) represents an experiment in minimalism. Though a significant departure stylistically, the scattered handful of coins and abandoned plate nonetheless fill the space, compositionally implying the same sense of scale as her more elaborate site-specific pieces
My Tent (2020) is a return to form, incorporating concepts of light and shadow, the illuminated placed in vivid contrast to the hidden, the buried, the covered
A persistent source of frustration in the artist's life is the desire to have her work exhibited on a permanent basis, which is simply not feasible for a gallery like ours
My House Has a Backyard (2020), created during her residency at Grandma's house
