The Basilica Ulpia towered over Trajan's Forum complex, the architectural culmination of all the imperial fora. Completed in 112 AD with construction overseen by the architect Apollodorus of Damascus, it was the largest basilica in Rome measuring 117 by 58 metres. #LostRome

The Basilica looked out over a Forum complex consisting of libraries, Trajan's Column (which still stands), an equestrian statue, triumphal arch and a vast plaza paved with 3000 6ft slabs of Carrara marble - all funded by the spoils of Trajan's victorious Dacian War. #LostRome

Indeed, the entire complex was in many ways a single triumphal monument to Trajan's conquest of Dacia. Dignified statues of Dacian prisoners stood in the attic surrounding the entire square and basilica, like Atlases seemingly holding up the massive structure. #LostRome

The Forum's sculpture acted as a Roman hall of fame depicting great and sometimes surprising figures; colossal portrait busts of famous Romans in circular tondo frames (imago clipeata) looked down on the square, such as these of Julius Caesar and Agrippina Minor. #LostRome

The eastern facade of the basilica overlooked the forum plaza; its ornate portico with three projecting porches on columns of yellow giallo antico marble, decorated with a great frieze of captured arms, Dacian captives, military standards and bronze triumphal chariots. #LostRome

The facade is shown on coins of Trajan celebrating the structures in his new Forum. The central portico was crowned by a gilt-bronze triumphal quadriga (four-horse) chariot driven by Trajan and the side porticoes were each topped by a biga (two-horse) chariot. #LostRome

The Basilica Ulpia was a grand civic space with no religious purpose, dedicated to public use as law courts, a place of business or for Romans to just stroll and socialise – comprising a great central nave with two side aisles on each side and large apses at each end. #LostRome

The great hall of the Basilica was surrounded with a double row of 96 Egyptian granite columns, with the floor and walls clad in exotic marbles from around the empire. The massive wooden ceiling was covered by gilded coffers and was famous in the ancient world. #LostRome

Justice would be administered at each end of the Basilica in two identical hemicycle exedrae. Tribunals could be held under statues of great figures from Roman history; the Julius Caesar statue in the Palazzo Senatorio stood in the central niche of the northeast exedra. #LostRome

The opposite exedra was known as the Atrium Libertatis, the "Hall of Liberty" where the ceremony of manumitting slaves would be held if they had gained their freedom, likely under a shrine to Libertas. #LostRome

The plan of the Roman civic basilica with its aisles, colonnades, central nave and apses became the basis of the Early-Christian basilicas; where a presiding Roman judge may sit in the Roman apse, a bishop would preside in a Christian church. #LostRome

From upper galleries in the Basilica, Romans could look through clerestory windows at Trajan’s triumphal column which stood in an adjacent courtyard flanked by Latin and Greek libraries (bibliotheca). #LostRome

The Basilica and Forum had a long life after Trajan’s reign. When Hadrian cancelled the debts of Roman citizens in 118 AD, he had the records burnt in Trajan’s Forum, this frieze showing his Praetorians carrying boxes of debt records to an unseen bonfire in the square. #LostRome.

Later emperors soon began to scavenge marbles and sculpture from the Forum for their own monuments. In 315 AD, Constantine the Great took a number of Dacian captives and friezes from the buildings to place on his own arch which still stands next to the Colosseum. #LostRome.