Priyanka has ruled our hearts for years. The reviewers agree. Here's a thread :

Aitraaz (2004):

Ultimately though, Aitraaz is Priyanka Chopra's film. As the deliciously wicked, gold digging, scheming seductress, she chews up every scene she is in with her magnetic screen presence. (Jay Mamtora, BBC)

Don (2006):

This coming from Raja Sen is a surprise. The guy is not too generous with his compliments.

Fashion (2008):

Chopra turns in a respectable performance, one that will inevitably go down as her best. The truth is, it’s one of those by-the-book characters that she understands only too well and performs just as easily. (Rajeev Masand)

Dostana (2008):

Priyanka Chopra, is at complete ease, slipping effortlessly into the role of the hottie with a heart of gold; she looks smashing in this film, better than she’s ever looked before. (Rajeev Masand)

Kaminey (2009):

Priyanka, her Marathi coming in handy, rocks this role. And, man! In that intimate scene when she convinces her boyfriend to forget the rubber, she's on fire - easily one of the most sensual scenes ever filmed as sexual tension fills the frame. (The Hindu)

What's Your Rashee (2009):

Kind words by Subhash K. Jha on her one of a kind performance.

7 Khoon Maaf (2011):

Aniruddha Guha heavily praised Priyanka's performance in 7KM.

Don 2 (2011):

The Express Tribune on Roma.

Agneepath (2012):

To Priyanka's credit, she delivers in the sole scene she gets to display histrionics, in the pre-climax. (Aniruddha Guha)

Priyanka shines in role of a sprightly independent girl. Her styling is a bit off, but the performance sees it through. (Sonia Chopra)

Teri Meri Kahaani (2012)

Priyanka Chopra matches step with a superb performance easily slipping in and out of the layered characters with dexterity. (Sonia Chopra)

Barfi (2012):

Priyanka walks real thin line because her autism traits could very easily switch from organic expression to manipulative melodrama. But Jhilmil never becomes a caricature and the innocence shines through even in the most difficult of scenes (Pratim Gupta)

Krrish 3 (2013):

Priyanka is saddled with a role that doesn't do her justice. She deserved a meatier role. (Sarita Tanwar)

Gunday (2014):

Priyanka Chopra kills it in one nicely written, emotional stand-off scene. (Anupama Chopra)

Priyanka Chopra continues to surprise us with another brilliant performance in Gunday. (Rohit Khilnani)

Mary Kom (2014):

Anupama Chopra praising Priyanka's remarkable performance.

Dil Dhadakne Do (2015):

On her standout character Ayesha Anupama Chopra has this to say.

Bajirao Mastaani (2015):

Where Priyanka's iconic dialogue made it's way in a review. What a powerful delivery. Anupama Chopra gets it right.

Jai Gangaajal (2016):

Priyanka Chopra Shines as "Madam Sir" Abha Mathur, whose lightning slap and lathi charges have an applauding. This is polished, retrained Priyanka, who barely smiles but conveys the ethics and empathy of the law. (Srijana Mitra Das)

Baywatch (2017):

Priyanka Chopra is probably the most interesting element of the film but she's weighed down by the sheer ineptitude of every other element in the film. (Mihir Fadnavis)

The Sky Is Pink (2019):

And the final one by Sucharita Tyagi. It's still fresh in our minds.