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I have made far many episodes of Strip Panel Naked now, but here’s a handful of fun ones to keep you busy on a regular Wednesday—
I’ve done a lot of eps on grids. Here’s one on Cooke’s The New Frontier, and the strengths of the three panel grid:
I’ve done a lot of eps on grids. Here’s one on Cooke’s The New Frontier, and the strengths of the three panel grid:
If three panels isn’t enough, here’s an episode looking at the 16 grid, and its balance of four-panel tiers with The Dark Knight Returns:
Speaking of Miller, for all his exaggerations and stylised rendering, here’s why I consider his storytelling style to be wonderfully minimalist in Sin City:
On the opposite end, away from black and white, one of the earliest episodes of the series was on Jordie Bellaire’s stunning colours in Pretty Deadly:
Colour isn’t restricted to colourists, of course. Maré Odomo’s letters in Snotgirl are amongst some of my favourites. Here’s why:
More on lettering, with Grim Wilkins did some wonderful things with it in Mirenda. This episode focused on the concept of visual dialogue balloons:
On the opposite end of dialogue is action, and Mignola’s approach to it is always worth studying:
