If we in small arts organizations stop making, we cede the whole field to large institutions. This crisis is going to further push economic inequality, and there& #39;s a real danger of coming out the other side with an even more homogenized field.

And we& #39;ve gotta keep making. We have staff that need to get paid, we have health insurance bills, we need to find ways to get money to artists.

So maybe a single cam archival recording isn& #39;t the best way to experience a show, but it& #39;s a way for the work to get seen by an even wider audience. It& #39;s a way to generate some money, even if just a little, for folx who could really use it.

And just maybe someone who really needs a particular work will get to experience it now, at this time, from a distant place, and it will be the thing that makes their day just enough better.