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curling up with my pal richard iii, casual murderer and pretender to the throne
i love the way this is edited, the way it plays with the rhythms of the score
though one thing it doesn& #39;t replicate is how you CAN& #39;T. STOP. LOOKING. AT. LARS. EIDINGER. when you see it live
#ostermeierR3
though one thing it doesn& #39;t replicate is how you CAN& #39;T. STOP. LOOKING. AT. LARS. EIDINGER. when you see it live
#ostermeierR3
the dangling mic really is a genius way to remind us that richard is our emcee and give us a sort of intimacy with his performativity #ostermeierR3
Lars& #39;s Richard is a lot angrier and more teary-eyed in this recording than I remember him being at BAM where it was a bit more deliciously evil than personally wounded
i remember finding the "omg clarence no way!" scene hilarious when i saw it live. he was so much. #ostermeierR3
i remember finding the "omg clarence no way!" scene hilarious when i saw it live. he was so much. #ostermeierR3
if your marriage proposal isn& #39;t going well, you can always strip off all your clothes and ask your beloved to kill you #ostermeierR3
When did a monochrome aesthetic become so popular for Richard III? Rupert Goold did it at the Almeida in 2016, and of course, Ostermeier did it here (dating back to 2014?). #OstermeierR3
