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there is delicate movement in the bend of the subject, juxtaposed by the aggressive texture

drastically overstated in size by the perceived angle, it appears to "reveal itself" from its shrubbery

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strong tension in the swelling of its veinery, it induces anxiety

there is vague emotion in the color story, the sheen emphasizes a sense of self awareness

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the elusive "lubriderm fiasco", timeless in its apathy

she turns away in her shy demeanor, bottom heavy as a genovia pear

in the distance uprises a woman tall as her growing confidence. it invokes potentiality

unimpressively standard yet dense, it seems to call to the viewer, "think of me as i was"

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in a flash of light the subject emerges from the canvas, eager to claim theatric ovation

stretched far beyond his means, the peasant tires for a day off. the tension conveys something sinister, feudal

exquisitely detailed, yet something is off. surrealism finds peace here, undisturbed by the edges of institution

horrifying. the viewer's personal life choices are called into question in the face of such demonic phallacies. i will pray for you

red, the color of rage. the subject seems to point downward in reserve, a façade of plushery. very well composed.

the viewer's eyes glaze over the piece, unable to latch onto any one material focus. the timid wench looks away, humiliated by their deflation--they are hexed

dancing along the glimmer of the morning sun a brave warrior awakes, cloaked in espionage. the artist plays with shadows to suggest a coliseum of intersecting forms

by defocusing the subject, the artist obfuscates the intentionality of the piece. nevertheless a sense of purpose is discovered as our eyes point to something indescribably hairy upon the shelf

a bold, edgeless curve evades terminative boundaries. the viewer finds relief in a somewhat rare sighting of proper moisturization. reminiscent of a mondrian in its palette

here we see framing with a sense of encouragement. the noble actor perceives himself graceful by the hand, as if self surrendering

astonishingly serpentine in form, the powerful depiction of dehydration elicits apprehension, fear

the juxtaposition of with and without--clean shaven to a fault. he uses suggestive vein artistry to reference his earlier work, "dancer in adjuration"

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like reverent architecture the hazy surface weaves delicate particulates abridge the contours of the breast

the subject stands tall to reveal something insidious: a rickety pipeline resting against the gravity of the laborer's pink pouch

contrary to the viewer's expection, the artist uses a buffered consistency here to express vivid desolation, a dilating absence

a deconstruction of portraiture; the artist compartmentalizes the subject and pieces it in gentle embrace, but is it the viewer who holds authority?