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1/9
organic materials– including full kaftans– amazingly survive from 6-9c CE Alanic cemeteries in the foothills and mountainous regions of the N. Caucasus. This autumn I traveled to the N. Caucasus to visit Alanic cemeteries and regional museum collections for research
BH
organic materials– including full kaftans– amazingly survive from 6-9c CE Alanic cemeteries in the foothills and mountainous regions of the N. Caucasus. This autumn I traveled to the N. Caucasus to visit Alanic cemeteries and regional museum collections for research
BH
2/9
The Alans utilized rock walls and rock terraces to built their cemeteries. Sometimes they carved niches in the soft sandstone rock walls, as for example here in the Khasaut valley
: those niches on the walls are individual burials (my husband Gleb is a great scale!)
BH
The Alans utilized rock walls and rock terraces to built their cemeteries. Sometimes they carved niches in the soft sandstone rock walls, as for example here in the Khasaut valley
: those niches on the walls are individual burials (my husband Gleb is a great scale!)BH
3/9
Sometimes the Alans built cist tombs (a rock coffin) along rocky terraces and on rock ledges in forested gorges and mountain sides, as for example here at Moshchevaia Balka (: view of the western terrace of Moshchevaia Balka; the cist tomb formations are now destroyed)
BH
Sometimes the Alans built cist tombs (a rock coffin) along rocky terraces and on rock ledges in forested gorges and mountain sides, as for example here at Moshchevaia Balka (
: view of the western terrace of Moshchevaia Balka; the cist tomb formations are now destroyed)BH
4/9
organic materials, which rarely survive from this period, were preserved in these cemeteries b/c the rock kept the materials from resting up against acidic earth + the tombs were sealed which kept oxygen from seeping in
BH
organic materials, which rarely survive from this period, were preserved in these cemeteries b/c the rock kept the materials from resting up against acidic earth + the tombs were sealed which kept oxygen from seeping in
BH
5/9
I studied kaftans at the Karachaevo-Cherkessk Regional Museum in Cherkessk (Russia). This is one of several nearly complete linen kaftans from Nizhnii Arkhyz that I closely examined (the header is a detail of the collar)
BH
I studied kaftans at the Karachaevo-Cherkessk Regional Museum in Cherkessk (Russia). This is one of several nearly complete linen kaftans from Nizhnii Arkhyz that I closely examined (the header
is a detail of the collar)BH
6/9
a closer detail of the collar w/ a frog, a cloth loop closure, that can hold the front panel closed around the neck. This double-axe/crescent motif silk is very likely locally produced by the Alans. Textile conservator Martina Ferrari @metmuseum & I are writing about it
BH
a closer detail of the collar w/ a frog, a cloth loop closure, that can hold the front panel closed around the neck. This double-axe/crescent motif silk is very likely locally produced by the Alans. Textile conservator Martina Ferrari @metmuseum & I are writing about it
BH
7/9
some kaftans were made of 1 layer of fabric, while others were lined w/ fleece or fur– summer and winter models! Some kaftans were plain linen, some had silk trim & still others were covered entirely w/ silk: intact wool lining on lower hem of kaftan from Nizhnii Arkhyz
BH
some kaftans were made of 1 layer of fabric, while others were lined w/ fleece or fur– summer and winter models! Some kaftans were plain linen, some had silk trim & still others were covered entirely w/ silk
: intact wool lining on lower hem of kaftan from Nizhnii ArkhyzBH
8/9
Moshchevaia Balka is esp. dear to me. A paper I wrote on the ‘senmurv’ kaftan from MB as an MA @NYUIFA 1st introduced me to the world of ancient fashion & all the things dress can do beyond cover & adorn
:at MB in 2019; 2012 w/ that kaftan on 1st visit @state_hermitage
BH
Moshchevaia Balka is esp. dear to me. A paper I wrote on the ‘senmurv’ kaftan from MB as an MA @NYUIFA 1st introduced me to the world of ancient fashion & all the things dress can do beyond cover & adorn
:at MB in 2019; 2012 w/ that kaftan on 1st visit @state_hermitageBH
9/9
for further
on Alanic dress check out the work of Anna Ierusalimskaia, Zvezdana Dode & Olga Orfinskaia! See esp Ierusalimskaia’s 2012 Moshchevaia Balka ( https://cornell.on.worldcat.org/oclc/830310420 ) & Dode’s 2001 Srednevekovyi kostium narodov severnogo Kavkaza ( https://cornell.on.worldcat.org/oclc/49509343 )
BH
for further
on Alanic dress check out the work of Anna Ierusalimskaia, Zvezdana Dode & Olga Orfinskaia! See esp Ierusalimskaia’s 2012 Moshchevaia Balka ( https://cornell.on.worldcat.org/oclc/830310420 ) & Dode’s 2001 Srednevekovyi kostium narodov severnogo Kavkaza ( https://cornell.on.worldcat.org/oclc/49509343 )BH
