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One Perfect HEADshot
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I love how DIE HARD wastes no time in establishing its tone, hero, and plot. Takes only 15 shots (≈7 setups) and 90 sec to: -Establish classic Hollywood codes-Introduce three
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What's been interesting about MORTAL KOMBAT is how different the consensus seems to be among horror vs action fans. I think it highlights the film's strengths and weaknesses. Take this
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What are your favourite John Woo moments, big or small?Here's a thread with my top 200 or so...
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I love how the tracking shot of the chase in @WilliamFriedkin's TO LIVE AND DIE IN L.A. subtly manipulates our expectations: the use of pillars to hide/reveal the car translates
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Damn, the action in HiGH&LOW: THE WORST (Sigeaki Kubo, 2019) delivers.If you're unfamiliar with the franchise, it's a story of rival gangs, Japanese boys bands, cool one-takes, and ambitiously revitalising
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One thing I liked in PORTRAIT OF A LADY ON FIRE is how Sciamma played with blocking/foreshadowing. Mid-film Marianne sees Héloïse in a vision reminiscent of the Eurycide myth they
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HARD BOILED: a thread on 13 seconds of film.1/ Did you ever notice that Tequila does not seem to actually pull the trigger at the end of this scene? Plus,
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TOO MANY WAYS TO BE NO. 1 (Wai Ka-fai, 1997) remains the most exhilarating deconstruction of the gangster genre ever made: exit the romantic kinetics of Heroic Bloodshed, the looming
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